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Review of the Day: Shiny Misfits by Maysoon Zayid and Shadia Amin

Review of the Day: Shiny Misfits by Maysoon Zayid and Shadia Amin

January 26, 2024 by Betsy Bird

Shiny Misfits
By Maysoon Zayid
Art by Shadia Amin
Lettering by EK Weaver
Edited by Emily Seife
Graphix (an imprint of Scholastic)
$14.99
ISBN: 9781338752502
Ages 9-12
On shelves April 16, 2024

I always say that you shouldn’t give up on a book until you’ve read twenty pages of it, but I don’t really mean that. Not really. I mean OTHER PEOPLE shouldn’t give up on a book until they’ve read a chunk of it. Me? I am a person filled to the brim with her own self-importance. Surely the rules do not apply to me. And with so many children’s books getting churned out year after year after year, surely I’ve earned myself the right to disregard a book after a page or two. Except that then I go and pick up a book like Shiny Misfits and the whole stick-with-it advice that I’m so blithely handing out to others seems pretty on the nose. I was two pages into this book and thought, “Nope! Not for me. I can’t pick up what this book is laying down.” But then my doggone eyeballs couldn’t stop moving across the pages. The jokes? They started to land. Slowly at first, then in a rapid-fire succession that meant I could hardly blink while reading. By the time I was on Chapter Two I had successfully hooked into the book’s unique syncopation. I tell you truly that maybe this isn’t a book for everyone but it’s definitely a book for those folks who want to see complicated characters cracking jokes, making mistakes, and having a fantastic time. Trust me. You ain’t never seen anything like it before.

Bay Ann doesn’t think she’s a star. She knows it! All she needs to do is just convince the rest of the world to see things her way. Step One: Win the school talent show with her best friends Michelle and Davey Matt (and that means beating her crush, the woefully talented Alyee Maq). Step Two: Enjoy the fame. Step one goes off without a hitch, as it turns out, but when Alyee appears to help Bay Ann on camera, his act of “heroism” for helping a girl with cerebral palsy is the actual act that goes viral. Locked into a death spiral of needing fame and alienating her friends, Bay Ann can’t see what’s important to her until it’s almost too late. Fortunately, when it comes to fame vs. friends, there’s no competition.

Here’s what I cannot quite understand. Maysoon Zayid? She’s a Palestinian-American comedian, which is awesome. So the frightening frequency with which she is able to successfully land a joke in this book? That is no surprise. What is surprising is how well her writing has adapted to a comic book format. So far I haven’t been able to track down any interviews where she talks about whether or not she grew up with comics or reads them a lot today. She must be a fan to a certain extent or she wouldn’t have made this book. But writing a graphic novel takes a lot of work. You have to figure out a rough approximation of page turns (for the sake of drama), silent vs. wordy panels, dramatic pauses, all that stuff. A good editor can walk a first time author through the process, and maybe that happened to a certain extent here, but it also feels like Ms. Zayid kinda has a knack for this sort of thing.

Years ago, I edited a middle grade anthology called Funny Girl which collected some of the funniest women working in the field of children’s literature together, and just sort of mushed ‘em all together into one big book. That book came out in 2017, and I’m beginning to think that I may have published it a good seven years too early. Had I but known about Maysoon Zayid’s eventual inclination to write for kids, I would have had some serious reasons to put the project on pause until she came around. Humor is subjective, of course, but this woman is good. What’s more, she knows how to translate that hilarity to the page. I just spent the better part of fifteen minutes right now trying to pull out the particularly funny passages in this book to quote here, only to come to the realization that it can’t be done. Each joke is strategically tied to whatever panel comes before and after it. Much of the humor is also in HOW the book is written. Bay Ann, her friends, her family, even her teachers and classmates, talk in this rapid-fire repartee. Some kids may not hitch into the groove correctly at the start and give up, but for a generation raised on TV shows where the speed of wit is a plus and not a minus, they’re going to find a good friend in Shiny Misfits.

Now the reason I think this book might be difficult for some folks is that Bay Ann’s no saint. In fact, she’s a greedy little thing. Self-centered. Entirely focused on what she wants, her needs, and that’s it. This isn’t a book where the main character starts out flawless and has to change the world around them. This is a book where the main character is going to need to do some major learning and growing before she gets anywhere near her goal. The trouble is that when she’s mean she is MEAN, man. Particularly when it comes to her friend Davey Matt. That poor guy puts up with more crap from both of his two best friends, and you never get the feeling they ever regret it that much. So your enjoyment of this book may rest in large part on how much you relate to old Davey Matt here.

Which naturally brings us to Bay Ann’s cerebral palsy (shared by her creator). CP shows up in different ways for different people, and Zayid isn’t here to explain everything to you right at the start. So kids will see Bay Ann dancing on the one hand, but need help navigating stairs or walking long distances without support. In an interview, Zayid commented that her goal with this book was not to zero in on Bay Ann’s CP but not to ignore it either. So she strikes this tricky, but ultimately successful, balance between acknowledging what Bay Ann’s dealing with, and then also placing the focus on another aspect of her life entirely. It’s skillfully done, honestly, and a lot of that credit also has to be given to how she’s drawn.

Artist Shadia Amin isn’t new to the comics game, but I think it’s fair to say that this is her first straight up graphic novel with a traditional (and huge) children’s book publisher. I mean, Spider-Ham is great, but I doubt those stories are usually of this length and girth. Her job is to also figure out how to draw Bay Ann, and figure out how to do so with a certain level of accuracy. From what I understand, she met with the author at least once, and Maysoon Zayid’s form of CP involves shaking. I actually hadn’t noticed it at first, but to convey this, Amin does have small shake lines around Bay Ann at certain times. But just as Zayid had to walk a tightrope with her writing, so too does Amin walk a tightrope with how she portrays her main character. Body positions, the ways in which she so much as sits on a couch, all of that must have been carefully worked out alongside the book’s author. Sometimes when someone writes a book, they’re kept far away from their illustrator by their editor. In this case, it looks like the two worked in tandem to reach the best possible result.

You know, we’re finally seeing a plethora of comics for kids coming out on a regular basis. That’s awesome. The downside is that whenever a particular genre of book for kids gets popular, there’s the danger of a large swath of them looking samey samey. At first glance of this cover, Shiny Misfits seems like it would be another one of those just-be-yourself pablum delivery systems. Instead, you get jokes that land (and land hard), a vegetarian Muslim girl with cerebral palsy who gets to be weird and complicated and funny, and a storyline that I’ve certainly not encountered before in a book for kids. Bound to win over fans and a hell of a lotta hearts as well, this is one cool book. Like it or not, Bay Ann is here to stay.

On shelves April 16th.

Source: Galley sent from publisher for review.

Videos:

Look, don’t take my word on any of this. Author/comedian Maysoon Zayid talked about it at length at the New York Comic Con in 2023, so hear about it for yourself:

Also here:

Filed Under: Best Books, Best Books of 2024, Review 2024, Reviews Tagged With: 2024 comics, 2024 graphic novels, 2024 reviews, Best Books of 2024, comics, funny graphic novels, Maysoon Zayid, Shadia Amin

Ellen Myrick Publisher Preview: Spring 2024 – Nosy Crow, NubeOcho, and Pajama Press (Part Five)

January 25, 2024 by Betsy Bird

I’ve no time to do a comparison of which ALA YMA winners this year won from big publishing houses vs. smaller publishing houses, but do I even have to? Most of the time the big boys have the big money to do the big publicity. But for my part, it’s the little guys who often do the most interesting work. Today, we return to our fifth entry in this quickie rundown of some of the smaller companies putting out books for kids in America this year. See if you can find something you like. Odds are, there’s something for everyone on this list.

This season you’ve already seen Part One here, Part Two here, Part Three here, and Part Four here. Let’s see what makes the cut today.


Make Tracks: Farm by Johnny Dyrander

Publication Date: February 6, 2024

ISBN: 9798887770369

If you saw my round-up of my favorite board books of 2023 then you already know that I’m a big fan of this “Make Tracks” series. The entire premise is that kids are given a small circular token with an image of a vehicle on it. They then have to employ a fair amount of hand/eye coordination to move their vehicle through the streets or (in this case) corn rows on the opposite page. It’s the perfect combination of an intriguing big vehicle text on the one hand, and an interactive puzzle on the other. And now they get to do all this and drive a combine harvester (sorta)? Count me in!


The Quickest Bedtime Story Ever by Louise Fitzgerald and Kate Hindley

Publication Date: April 2, 2024

ISBN: 9798887770512

I like it when I’m watching one of these previews and then someone will off-handedly say, “This got a lot of interest in Frankfurt!” That would be the Frankfurt Book Fair, which is the world’s largest trade fair for books, based on the number of publishing companies represented. The whole point of this book is that it’s for kids that are trying to delay bedtime. It’s fast. It’s funny. It has cats in footie pajamas. What more do you need?


She’ll Be the Sky: Poems for Women and Girls, selected by Ella Risbridger, ill. Anna Shepeta

Publication Date: February 6, 2024

ISBN: 9798887770550

Every single year I look for around eight different categories of children’s books. And the category that I can never find enough submissions to fill? Poetry. Poetry for kids, GOOD poetry for kids, is incredibly difficult to locate. Fortunately, I’m lucky to have discovered this poetry anthology on women and girls this early in the year. From the same team that did the Tiger, Tiger, Burning Bright compilation a couple years ago comes a collection with poetry from everyone from Amanda Gorman and Maya Angelou to Wendy Cope and Amineh Abou Kerech. Or, as the publisher put it, “Discover poetry for every moment and every mood!” It’s pretty cool.


A Different Kind of Fairy by Susana Torrubiano, illustrated by Giulia Orecchia

Publication Date: June 18, 2024

ISBN: 9788419607904

I like a book that looks interesting from the cover onward. What happens when a fairy gets jaded? In this story a fairy (who appears to have a great deal of difficulty granting wishes that go against her own gender stereotypes) decides she’d rather not grant wishes at all. She’d much rather become mean and turn into an ogre. Interested to see where this one goes when it becomes available. And naturally, since we’re dealing with the NubeOcho press here, the book is available in both English and Spanish.


Charlie’s Eye Glasses, Pub Date: April 9, 2024, ISBN: 9788419253910

Charlie’s Great Big Backpack, Pub Date: June 4, 2024, ISBN: 9788419607508

Charlie Super F, Pub Date: August 27, 2024, ISBN: 9788419253958

All right, folks. What we have here is a brand new picture book series by Margarita del Mazo, illustrated by Guridi, and available simultaneously in both English and Spanish. And quite frankly, I am charmed by it already. The name of this series (here in the States anyway) is the “Another Charlie Book” series. In each one, Charlie sets out to fearlessly represent both the smaller kids in the world and the eyeglass wearing ones (I don’t have a Venn diagram in front of me right now, but I suspect that there’s a fair amount of overlap between these two categories). But it wasn’t until I started reading some of the selections of these books that I fell in love with Charlie and his odd little world. Guridi feels like he’s channeling Sempé by way of Marc Boutavant, and it WORKS! Check out these little selections, if you don’t believe me:


Bunny Loves Beans by Jane Whittingham

Publication Date: March 19, 2024

ISBN: 9781772783018

Shameless. Utterly shameless. But can you blame them? Honestly, I have a hard time understanding why more publishers don’t go the uber-cutie route of board book publishing. I’m calling this a board book, but if it’s anything like its predecessors (Animals Move and the equally adorable Bear Has a Belly) then when you get this book you’ll see it’s board book sized (9″ x 9″) but with a padded cover and reinforced (but not board) pages. The publisher calls them “Toddler Tough” pages. As for the story, it essentially shows how animals and young children enjoy the same food. So come for the sweet little fluffy things. Stay for the healthy eating messaging.


The Sun Never Hurries by Roxane Turcotte, illustrated by Lucie Crovatto

Publication Date: May 28, 2024

ISBN: 9781772783070

I have a colleague who loves picture books about bears. Whenever I get a new bear book picture book in, I have to show it to her stat. And while I haven’t yet had the chance to show her this particular book, I already can’t wait to. The essential premise is that a grandfather is teaching his granddaughter how to take a deep breath and take your time. With art that just sort of pulses on the page, this was a Bologna Children’s Book Fair discovery. And I get the messaging. My kids? They operate at top speeds hardly visible to the human eye. They’re like hummingbird wings in human form. Fortunately mine are a bit on the older side. If you’ve a younger kid that you want to teach the benefits of slowing down to, this might be a good place to start.


Out of the Valley of Horses by Wendy Orr

Publication Date: March 26, 2024

ISBN: 9781772783117

Wendy Orr is back! Do you remember her novel for kids called Nim’s Island? They turned it into a movie back in 2008 with big name stars like Jodie Foster and Gerard Butler. I was also fond of her writing style, so it’s very nice to see her back (and with a recommendation from the Junior Library Guild as well). This book takes place in Australia with a family living in a van. So the book encompasses that whole economic challenge, but it’s also open to the mystical things that happen around you all the time. Ultimately, this is a book about restoration and the faith that you’ll get through the hard times.

And what better book to end on today? Stay tuned for future installments in this series. I still have (I kid you not) fifteen more publishers to go. Who will be next? You’ll see!

Filed Under: Publisher Previews

After Amil? A Veera Hiranandani Interview About Amil and the After, a Sequel to The Night Diary!

January 24, 2024 by Betsy Bird

It seems fitting that in the same week as the 2024 ALA Youth Media Award announcements, we should be talking to another Newbery Honor winning writer. When THE NIGHT DIARY won its Honor in 2019, it was one of those wins that just felt so right. It had already had multiple starred reviews, after all, with Horn Book saying that author Veera Hiranandani had a, “pitch-perfect tone”, Kirkus saying it was, “A gripping, nuanced story”, PW saying it had a, “striking intimacy and immediacy”, and SLJ saying it was a, “rich, compelling story”.

Now, it is my distinct pleasure to tell you that the story isn’t over. Not yet. What begin in THE NIGHT DIARY now continues with the release of AMIL AND THE AFTER.

Filled with hope and the idea of finding joy after tragedy, the novel picks up where The Night Diary left off following the aftermath of the Partition of India, the greatest human migration in history. Through Amil’s story, young readers will learn of the complicated physical, emotional, and psychological impact that comes from being forced to leave your home—an experience many kids globally still experience today.

At the turn of the new year in 1948, Amil and his family are trying to make a home in India, now independent of British rule. Both Muslim and Hindu, twelve-year-old Amil is not sure what home means anymore. The memory of the long and difficult journey from their hometown in what is now Pakistan lives with him. And despite having an apartment in Bombay to live in and a school to attend, life in India feels uncertain. Nisha, his twin sister, suggests that Amil begin to tell his story through drawings meant for their mother, who died when they were just babies. Through Amil, readers witness the unwavering spirit of a young boy trying to make sense of a chaotic world, and find hope for himself and a newly reborn nation.

But wait! It gets better. Veera Hiranandani herself is here today to answer my questions about this book, where it came from, and what the process of writing it was really like:


Betsy Bird: Veera! Thank you so much for answering my questions today! I think before we talk about anything else, I’d love to know if you’d always had a plan to follow up THE NIGHT DIARY with another title. Even if it was just a thought you kept in the back of your subconscious. Or was this a surprise even to you? What’s the origin of AMIL AND THE AFTER?

Veera Hiranandani

Veera Hiranandani: Hi Betsy, my pleasure! When I was writing THE NIGHT DIARY, I didn’t have any intentions to write a follow-up story. I was very focused on creating something that felt complete to me. Then, about a year after THE NIGHT DIARY was published, a year filled with many school visits and events where I discussed the characters in THE NIGHT DIARY often, I started to miss them. I started to wonder what they were up to. By the time I finish any story and the multiple revisions it takes, the characters feel as real to me as anyone. They’re living somewhere in a parallel universe as far as I’m concerned. But I didn’t want to continue the story exactly the way it had been-in Nisha’s point of view in a diary format. That journey did feel complete to me. I wanted to try something new with the same characters. On my school visits, students kept saying they were interested in hearing more of the story through Amil’s point of view, so I had to give it a go! 

BB: Aw. I love it when kid readers have input on sequels and companion novels. You’ve mentioned that this book is about what happens after someone survives something life-changing and traumatic. THE NIGHT DIARY originally came out in 2018 and then in 2020 kids around the globe experienced, to use your words, “something life-changing and traumatic”. I think part of what makes it so interesting is that, like Amil’s experience, it was a traumatic shift in society. Was any of that in your head as you wrote the book?

VH: Yes, that was absolutely in my head! This is my third historical novel and though I always start off researching and writing about the past, I see many echoes in present events. I wish I didn’t, but things like refugee crises, conflicts and war about racial or religious tensions and prejudice, world-shifting global events like the pandemic, etc, are tragically alive and well. I try to connect the emotions I’m experiencing or observing in my life with what my characters are experiencing for authenticity. While I wrote AMIL AND THE AFTER, I thought a lot about how we’re all trying to rebuild our lives after the early pandemic years and the collective trauma we’ve all experienced. Some of us have had a much harder time than others, however, so what’s our responsibility to our community as a survivor who’s had a support system, even as we manage our own wounds? That was a guiding question for me and one Amil wrestles with in the novel.  

BB: In the story Amil’s sister Nisha suggests that he draw pictures for their mom, who died when he was a baby. These pictures are created by Prashant Miranda. Did you know Prashant’s art before this book?

VH: I did! I had the pleasure of meeting Prashant during the Neev Children’s Literature Festival in Bangalore, India in 2019. I enjoyed talking to him about his work there, and after the festival, I followed him on instagram. He posts a lot of his own drawing journals, beautiful sketches and watercolors of his travels and experiences. He has this quality of hope and peace in his work and it reminded me of Amil. When I decided to write the book, I asked my editor to reach out to Prashant to see if he was available to illustrate it. And the rest is history! 

BB: Brilliant! And did you have a hand in what the spot art in the book would look like? Did you decide where it would go? I’m just kind of fascinated by this inclusion in the book since THE NIGHT DIARY (as I remember it) didn’t have any art.

VH: That was all Prashant ‘s art and Penguin designer, Kelley Brady! I had art approval, but I left it up to the experts! The decision to include the art was driven by Amil’s point of view and his love for drawing.

BB: When writing this book did you plan out everything beforehand or are you the kind of writer who writes and watches where the story and the characters take her?

VH: I tend to think about a general beginning, middle, and end before I write and then leap into the manuscript fueled by the excitement of starting something new. I usually run out of gas about 50 pages in and wonder if perhaps I’ve made a terrible mistake trying to write the story at all. I start talking it out with some trusted writer friends and do some loose outlining, mostly character development notes and larger plot structure beats. Sometimes I use a brainstorming technique called mind-mapping which helps me get out all my messy thoughts, so I can see everything I know about the story visually on one piece of paper. Then I go back to the manuscript until I have a rough (very rough) first draft. 

BB: Was there anything in this book that you initially wanted to include but later cut out for one reason or another?

VH: I ended up adding a lot to this book, because the earlier drafts were too spare. I think people are usually overwriters or underwriters. Overwriters write a ton in a draft and end up cutting a lot. I’m an underwriter and usually have to add a lot to the spare frame I’ve built in the first draft. I’m sure I did eventually cut some smaller things, but I can’t even remember what they were now.  

BB: Nisha’s only sibling is Amil and Amil’s only sibling is Nisha but I still have to ask – is there any chance of a third book in this series?

VH: I’m not currently writing one, but never say never! 

BB: Finally, what are you working on next?

VH: I’ve been working on my first picture books coming out in Fall 2024 and Spring 2025 with Random House Studio. The first, called THE GREATEST, illustrated by Vesper Stamper, is based on some special memories I have of my Jewish grandfather. The next is a story about my own multicultural background called MANY THINGS AT ONCE, illustrated by Nadia Alam. To say I’m excited about them would be an understatement! I’ve also been tinkering with a YA in verse. So glad to be able to chat with you! 

BB: Me too!



Enormous thanks to Veera for taking the time to answer my questions today. Thanks too to Kaitlin Kneafsey and Sierra Pregosin for helping put this all together.

Veera Hiranandani, author of the Newbery Honor–winning The Night Diary, earned her MFA in creative writing at Sarah Lawrence College. She is the author of The Whole Story of Half a Girl, a Sydney Taylor Notable Book and a South Asia Book Award finalist, and How to Find What You’re Not Looking For, winner of the Sydney Taylor Book Award and the New York Historical
Society Children’s History Book Prize. A former editor at Simon & Schuster, she now teaches in the Writing for Children and Young Adults MFA Program at The Vermont College of Fine Arts

Filed Under: Interviews Tagged With: author interviews, Veera Hiranandani

2024 ALA Youth Media Awards Winner Round-Up!

January 23, 2024 by Betsy Bird

WELL!!

I’ll be honest. I can’t remember an ALA YMA announcement day that pleased me half as much as the one we had on Monday, January 22, 2024. With very few exceptions I pretty much adored every single book listed (that I knew about). It was humbling to see a couple titles that I didn’t even read in 2024 (my apologies to The Truth About Dragons which currently has LOADS of holds in my library). There were books that won that I didn’t even think had a chance but was delighted to see, and books that didn’t get bupkiss (more on those at the end of this post).

Today, I’m just going to run through the winners that I featured on this blog in some fashion this year. In case you’d like some more info on them, here’s what I covered (and you’ll notice what I failed to as well). This isn’t a list of everything that won. Just the ones that have been seen here previously.


Newbery 2024

Winner:

The Eyes and the Impossible by Dave Eggers

You can read my review of the book here. People appear to be amused by my line, “It’s not exactly Ulysses for kids, but it’s not exactly NOT Ulysses either.” It was gratifying to see this win. I was afraid that the whole talking animals thing would squash its chances. So happy to be wrong!

And you should watch its very cool book trailer. I thought it might get an Odyssey for its audiobook, but that’s okay.

THE EYES AND THE IMPOSSIBLE (TRAILER) from McSweeney’s on Vimeo.

Honors:

Eagle Drums, written and illustrated by Nasuġraq Rainey Hopson

I feel I owe Eagle Drums an apology. I absolutely adored it when I read it, but I never considered the possibility that it was a strong Newbery contender. That’s my mistake. Naturally, it also received an American Indian Youth Literature Awards Honor.

You can read my interview with Nasuġraq Rainey Hopson here. I like the part where she says, “The best part of Humanity is the fluidity of it all, so celebrate and rejoice with one another frequently so you don’t miss anything good!” Also, if you read the interview then you’ll see what she’s working on next!

Elf Dog and Owl Head written by M.T. Anderson, illustrated by Junyi Wu

So gratifying to see. You may recall that earlier this year Mr. Anderson wrote a guest piece on this blog about the creation of this book called Elf Dog LaRue. Read it, but not at work. You will cry. No, I’m not kidding about that.

Mexikid: A Graphic Memoir written and illustrated by Pedro Martín

I think it’s fair to say that this was the winningest book of the year. Not only did it win this Honor but also two different Pura Belpre wins (one an Award for the art and one an Award for the writing) as well as an Odyssey Honor for the audiobook (which, I’m afraid, I must now listen to). I will remind you, yet again, that the man’s Tiktok and Instagram accounts will make you so happy. Imagine a place where you can find LOADS more Mexikid content. Now you have it. You’re welcome.

You can find my review of the book here. I think I said of it, “It has laughs, music, snot, baby coffins, live amputations, feats of strength, bad haircuts, and (of course) family, family, family. It may also well be the most ambitious comic I’ve ever read, and that’s saying something.”

I also included it in NPR’s Books We Love here.

Simon Sort of Says written by Erin Bow

What can I say that hasn’t already been said many times over by people smarter than myself? A most deserving Honor for a most deserving book. Have you noticed how many Newbery books this year involved humor in some way? I’m just floored by it.

You can read my review of the book here. Way back last April I said of it, “Combining a legitimately horrifying situation with humor, heart, and the occasional Jesus squirrel, this is both the funniest book you’ll read this year, and the best-written. Would that I were joking about that. In three words: I am not.”

The Many Assassinations of Samir, the Seller of Dreams written by Daniel Nayeri, illustrated by Daniel Miyares

My respect for the Newbery committee was already high with each mention of each book listed here, but when I saw that they’d included this marvelous little chestnut of oddities, my heart grew three sizes all at once. I cannot BELIEVE the committee chose this too! But I guess after choosing other books where a squirrel is called part-Jesus cause it ate the holy host, pop rocks mix with snot to devastating effect, and goats have goals, a book where a severed ear is a huge part of the plot probably wasn’t all that much weirder.

You can read my review of the book here. And remember, this is the book with the #1 best first line of 2023: “The first time I was stoned to death by an angry mob, I was not even a criminal.”

I also included it in NPR’s Books We Love here.


Caldecott 2024

Winner

Big, illustrated and written by Vashti Harrison

Now that was a very nice winner. Vashti Harrison has made history this year by becoming the first African-American woman to win the Caldecott Award. I credit the National Book Awards for having longlisted this title and directed my attention to it. I hadn’t really properly considered it until that moment, and when I did I realized how amazing it was.

You can read my review of the book here. As I said of it, “There’s an honesty here that I really admired. Now add in the fact that the art isn’t just lovely, but also evocative and creative (that gatefold is really a delight) and that the writing itself is great and you have yourself one of the best books of the year. Most excellent! One little book isn’t going to change everyone’s mind about something, but one little book is where you have to start. A superb idea, wrought large.”

And, of course, I suggest you watch this video of Ms. Harrison herself giving you a behind-the-scenes look at the book.

BIG by Vashti Harrison from LB School on Vimeo.

Honors

There Was a Party for Langston, illustrated by Jerome Pumphrey and Jarrett Pumphrey, written by Jason Reynolds

Now admittedly I thought that this would get the gold itself, but I am more than happy to at least see the Pumphreys attaining some much deserved shiny stickers for one of their books. I do believe that this also marks the second time Jason Reynolds has written a book that won a Caldecott Honor (though last time it wasn’t for a picture book).

You can read my review of the book here. I said of it, “A great book for children is one where you read it and find yourself wondering, ‘How is it possible that this book wasn’t made before now?!?’ It’s the feeling you get when you turn that last page and find yourself saying aloud, ‘There you are. What took you so long to get here?’ Even better if precisely the right author is paired with precisely the right illustrator along the way. In There Was a Party for Langston you aren’t merely bathed in that feeling. You are suffused.”

If you’re feeling ambitious you can also listen to my podcast with my sister where we discussed this book’s Caldecott chances (it’s also the only book on that episode that I was close to being right about).

I also included it in NPR’s Books We Love here.

Apologies to In Every Life, illustrated and written by Marla Frazee, Jovita Wore Pants: The Story of a Mexican Freedom Fighter, illustrated by Molly Mendoza, written by Aida Salazar, and The Truth About Dragons, illustrated by Hanna Cha, written by Julie Leung. I completely missed you all this year.


Coretta Scott King (Illustrator) Book Award

Winner

An American Story, illustrated by Dare Coulter, written by Kwame Alexander

While I believe that some of us hoped that Dare Coulter would premiere this year and end up with a Caldecott to her name, it was gratifying to see her walk away with the Coretta Scott King Award for illustration. This was a book that I talked about constantly in 2023. I went on Chicago Today and talked about it. I discussed it on my podcast. I also included it on NPR’s Books We Love here. I did everything in my power to bring attention to it, though it didn’t need me at all. That book was beautiful from the get-go and needed only the smallest push to get it rolling.

You can read my review of it here.

You can also hear Kwame and Dare talking together, as they are interviewed at News 4 Jax (of Jacksonville, Florida) on their Morning Show here. Dare even shows one of the sculptures from the book. I wish I could embed it. It’s amazing.

Honors

Holding Her Own: The Exceptional Life of Jackie Ormes, illustrated by Shannon Wright, written by Traci N. Todd

Oh, this was gratifying. To see Holding Her Own not only win this Honor but also a Sibert Honor as well. This wasn’t even the only picture book biography of Jackie Ormes to come out this year, but it certain used an inventiveness in the art and storytelling that made it a cut above.

I was convinced that I reviewed this book. I certainly included it in as many end of year lists as I could. But looking now, I can’t find anything I wrote about it. So consider this my official apology to its creators. I adored this. So glad that it won.


Schneider Family Book Award (Young Children)

Winner

Henry, Like Always, written by Jenn Bailey, illustrated by Mika Song

Oh, what a delight. Henry would win not only this Schneider Family award but also a Geisel Honor. Both of which were completely deserved.

I didn’t actually review the book here, but I did for NPR’s Books We Love. I figure that counts for something.


Pura Belpré Youth Illustration Honor Books

Papá’s Magical Water-Jug Clock, illustrated by Eliza Kinkz, written by Jesús Trejo

Hey, if this book had to lose to anything, I’m glad it was Mexikid, but this was definitely my first choice for a picture book, hands down. Funny book of the year or the FUNNIEST book of the year? Hard call. All I know is that I could read this to kids every day for the rest of my life and be content. I should note that this also got a Belpré Author Honor as well.

You can read my review of the book here. In it I said, “I’d say it’s just about as perfect a summertime book as you’re likely to find for a while. Clocks and cats, water and magic, and at its heart a father-son storyline. Nab it for your next storytime, whenever you get the chance.”


The Robert F. Sibert Informational Book Award

Winner

The Mona Lisa Vanishes: A Legendary Painter, a Shocking Heist, and the Birth of a Global Celebrity, written by Nicholas Day and illustrated by Brett Helquist

And there was great rejoicing in the Bird household when this win was announced. Would I have liked it to get a Newbery? Sure. Do I wish that either the Newbery or the Caldecott committees had honored a single work of nonfiction? Of course. But if something had to win the Sibert for writing, I am so happy that it was this book. Whatever it is that we can do to get more people reading it, it is all to the good. Also, I’m hoping this convinces Mr. Day to write more books.

You can read my review of the book here. In it I say, “The Mona Lisa Vanishes both entertains and instructs. You get you heist fix, but you’re also going to get a 101 on being more like, well, Leonardo da Vinci. Be relentlessly curious. Observe first. Make your deductions based on facts, not assumptions. Because it seems to me that in this current day and age, we are more in need of books that instruct our kids to be critical thinkers than ever before. Even if it takes a missing Mona to do it.”

You can also read my interview with Nicholas Day about the book here. If you read it then you can find out what his next book is. All I can tell you is, I’m very excited for it!

Honor

Jumper: A Day in the Life of the Backyard Jumping Spider, written and illustrated by Jessica Lanan

I just wanted to apologize one more time to this book for not reviewing it in 2023. I just ran out of time at the end of the year. This is the one that got away. I’m pleased as punch that it got a Sibert Honor, though. Run on, little spider. Run on.


Theodor Seuss Geisel Award

Honor

Worm and Caterpillar Are Friends, written and illustrated by Kaz Windness

Oh, wonderful! I only reviewed a single easy book in 2023 and it was this one. Kaz is a big deal on the picture book Tiktok circuit, and that’s where I initially found her. When I read this book of hers I was an instant fan. It’s been immensely gratifying to watch it catch on like wildfire on all kinds of Best Of lists.

You can read my review of the book here. I said of it, “Our books for kids should have only the best words and the finest art. And if that’s the level we’re trying to attain, then I have good news because Worm and Caterpillar Are Friends completely clears that bar. It’s fantastic writing, simple words, and jaw-dropping art all presented in the smallest, most inauspicious of packages. Consider carefully the books you give to the earliest of readers. Consider your responsibility. Show them only the best. Show them this book.”


Sydney Taylor Book Award

Honor

Don’t Want to Be Your Monster, by Deke Moulton

While I didn’t get a chance to review this book during the year, I am pleased to announce that on February 7th I will be interviewing Deke Moulton about the book here on this site as part of the Sydney Taylor Book Blog Tour. Come and learn more about the connection between vampires and anti-semitism.


And that’s all I got to this year!

Now I know we all had titles we were sad not to see get bupkiss at these awards. There’s no blame here. Not everything can win, and even though the awards look like they’re including a ton of books, it’s just the smallest sliver of what came out in 2023. Not everyone can win.

For my part, I would like to honor the books that I loved and wished would get something, but didn’t. Imagine me playing taps as I read off their names. They were good books. They were great books. They will be remembered in other ways. don’t you even worry about that.

  • The Skull by Jon Klassen
  • First Time for Everything by Dan Santat
  • The Lost Year by Katherine Marsh
  • Dim Sum Palace by X. Fang
  • You Are Here: Connecting Flights, edited by Ellen Oh
  • My Head Has a Bellyache by Chris Harris
  • Evergreen by Matthew Cordell
  • Tomfoolery by Michelle Markel and Barbara McClintock
  • The Tree and the River by Aaron Becker
  • Eb & Flow by Kelly J. Baptist
  • The Song of Us by Kate Fussner

I love the winners! I love the books that didn’t make it! I love you all!

Filed Under: Best Books, Best Books of 2023, Review 2024, Reviews, Uncategorized Tagged With: Caldecott 2024, Newbery 2024

Fuse 8 n’ Kate: Ira Sleeps Over by Bernard Waber

January 22, 2024 by Betsy Bird

It’s rare that we do a picture book from my old Top 100 Picture Books Poll from back in 2012, but today’s the day, I guess. This book came in at #96 and reading it today I was surprised at how well it had aged in spite of its 1972 publication date. You probably know Bernard Waber best as the creator of Lyle, Lyle Crocodile. Today we’re talking about Joe the Button Pusher, the Irish Republican Army, and where folks stand on the whole teddy bear issue.

Listen to the whole show here on Soundcloud or download it through iTunes, Stitcher, Spotify, Google Play, PlayerFM, or your preferred method of podcast selection.

I adore the degree to which mom gets to relax in this book and just read the paper.

“Nothing matches in this house. It’s very clash-y.” This curtain thingy separating the rooms appears to also be covered in giant bacteria.

This sponge technique that Waber uses for the trees is just beautiful here. Just beautiful!

And look at that! Dad is cooking the dinner! In 1972! Sure, mom’s slicing bread but it’s dad at the stove.

The scans of actual bottle caps in this book? That’s just cool.

At this point in the proceedings, the two boys decide to play “office” with Reggie’s dad’s rubber stamps. This has led us to wonder what Reggie’s dad does for a living. Because it sure as heck looks like a depressing job.

Now here’s the fun part. Because this book made it onto my old poll, I found a bunch of odd links and clips to go with it.

Here’s a nice inside look at what went into the animated version of Ira.

There was more than one cinematic version, of course.  This one?  A little piece of the past. Practically makes me nostalgic..

The hair!  The clothes!  That’s good.  But this next clip, with its fantastically horrific premise is even better.

Sort of want to find all the episodes now. Course, I do wonder why they changed the art and text of the book. Copyright, perhaps?

Kate Recommends: The Hunting Party by Lucy Foley

Betsy Recommends: The Holdovers (now streaming on Peacock)

Filed Under: Fuse 8 n' Kate Tagged With: Bernard Waber, Fuse 8 n' Kate, Ira Sleeps Over

Review of the Day: Max in the House of Spies by Adam Gidwitz

January 21, 2024 by Betsy Bird

Max in the House of Spies
By Adam Gidwitz
Dutton (an imprint of Penguin Random House)
ISBN: 9780593112083
$18.99
Ages 9-12
On shelves February 27th

A lot of children’s librarians started out as English majors. I’m not surprising anyone with this information, of course. And I’m no different than anyone else. When I was in college I dutifully went through my paces, learning such extraordinary new English terms as phallocentric patriarchy, post-colonial literature, magical realism, and more. That last one, magical realism, was the one that tended to flummox me. What precisely did it mean? I understood the definition you can now find on Wikipedia these days (portraying, “fantastical events in an otherwise realistic tone”) but where did the line fall between what was fantasy and what was magical realism? As I grew up and became a children’s librarian, this question followed me. I discovered that while most books for kids fall squarely into that “Fantasy” genre, there is the odd, occasional exception. Max in the House of Spies is an almost perfect example. Here we have WWII spy antics, hungry kangaroos, and a hero determined against all odds to help his parents, even if that means fooling Nazis. It also has two immortal creatures clinging to our hero’s shoulders, like a Greek chorus consisting entirely of a pint-sized Statler and Waldorf. I doubt anyone would disagree with me that this book is a fine example of magical realism. The real question then becomes, did it have to be?

Max is not happy. He’s an unwilling Kindertransport refugee, having been sent from Germany by his loving parents to London to stay with whatever family will take him in. Max is Jewish and separated now from his mother and father he’s incredibly worried. Those two are the people Max had sworn to protect (even though he’s just a kid himself). Vowing to find some way to return, Max is soon to discover that the family that has taken him in has distinct connections to Britain’s intelligence agencies. Now Max has a new goal: Become a spy for the British so that he can be sent back to Germany as soon as possible. Oh. And one more thing. He has two immortal creatures, a dybbuk named Stein and a kobold named Berg, permanently stuck to his shoulders for, potentially, the rest of his life. What could go wrong?

Now Adam Gidwitz isn’t being easy on himself when writing this book. He could easily have gone a sloppier route and written something relatively formless in the vein of the Spy School series n’ such. Instead, he’s willing to grapple with enough complexity to feel authentic, but not so much he loses his child readers along the way. Take, for example, the degree to which the adults are on board with Max’s plan to become an Allied spy against Germany. Each responsible adult in the book is vehemently opposed to this plan. Not only is this more believable, but it also makes each one of those adults more inherently sympathetic. No mean task! Then there are the other complications. Gidwitz gets amazingly complicated in the character of Uncle Ivor, a defiant communist at a time when Stalin was not in favor in England. I liked very much the different aspects of his character. Finally, Adam takes time to acknowledge that while fighting Nazis (a downright heroic thing to do) the English also had their own fair number of anti-Semites and history of colonialism to contend with. Two characters in the book, Max’s schoolmate Harold, whose family hails from India, and Sergeant Toby Thompson from Trinidad (with ample time taken to explain the Trinidadian Revolution) don’t get much page time, but when they do appear they are three-dimensional characters quick to puncture any glorified idealism you might have about England itself. It’s a bold choice for any writer, but Gidwitz makes it work.

I like spies, sure, but my favorite genre for kids can pretty much be summed up as “clever kids being clever”. Max certainly falls into that category, since time and again Gidwitz makes sure that the reader can see Max outsmarting bullies of various shapes and sizes. Honestly, I’ve been trying to think of Max’s literary predecessors in this respect. Which is to say, seemingly powerless kids that through wit, cunning, and/or sheer audacious intelligence keep wicked adults on the ropes. Peter Pan, alas, fits the bill and so do Maniac Magee and Styx Malone. It’s interesting, but normally this kind of character is met secondhand. The narrator will be a veritable Nick Carraway to their Gatsbys. Gidwitz, in contrast, makes Max our hero and doesn’t separate from him. How does he make that work? Enter the dybbuk and the kobol.

So my current working theory about Stein and Berg is that they serve as one of the few methods Gidwitz has at his disposal to enter the mind of his hero. Since Max travels on his own to England, he has no friend or close companion to confide in. The closest thing he has are these two spirits. But really, more than anything else they’re stand-ins for the child readers. When Max does something we don’t understand, the spirits kvetch to an amazing degree. They spell out what we, the readers, are thinking ourselves. But this begs the obvious question: Are they necessary?

I wrestled with this very question for a while with this book. As far as I was concerned, Gidwitz has conjured up a cracking good spy thriller. Granted it’s clearly the first in a series (it ends just as he enters Germany again) but the spy lessons that Max has to participate in are sublime. I’ll be honest and tell you that though maybe Berg and Stein fulfill some greater purpose in future titles involving Max, here they could come right out. Oh sure, there is admittedly a moment near the end where one of the spirits proves its usefulness to Max on his current trajectory. This moment is foreshadowed earlier in the book when Max is asking the spirits to tell him a piece of information he couldn’t possibly know, so that he can verify it and know that he isn’t going mad. But beyond that, the only other reason I could imagine Gidwitz included them was to say something about a spirit of Germany that preceded the Germans, and had a magic of its own. Who’s to say? All I can note is that if they bug you, don’t worry. Stick with the book. Like Max, you’ll find them easy enough to ignore over time.

Without a doubt, Max’s training sequences in this book are the best of the best. Bar none, my favorite parts to read. And if you glimpse the backmatter included in this book, you’ll see the author did his homework in this regard. It ends far too soon, but that just means kids will be clambering for more when a sequel is produced. And who knows? Maybe they’ll like the kobold and dybbuk more than I did. Gidwitz appears to be having fun with this book, and a writer who knows how to have fun is a writer who knows how to get kids to have fun reading their books. Fun, fact-filled, exciting, and unafraid to ask the tough questions, dip deep into this one when you can. Then get ready to want to read the next one immediately.

On shelves February 27th

Source: Galley sent from publisher for review.

Filed Under: Best Books, Best Books of 2024, Review 2024, Reviews Tagged With: 2024 historical fiction, 2024 reviews, Adam Gidwitz, Best Books of 2024, historical fantasy, historical fiction, magical realism, middle grade historical fantasy, middle grade historical fiction, middle grade magical realism

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