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Obama Becomes Our 44th President

Obama Becomes Our 44th President

November 5, 2008 by Betsy Bird

First Good Masters, Sweet Ladies gets the Newbery.

Now Obama has swept the presidency.

I don’t mean to jump the gun here, but this is turning out to be a pretty good year, isn’t it?

Since I’ve been rendered near incoherent with joy, I’ll just leave it at that for today.  Be warned that tomorrow I will make up for it with an overcompensation of wordiness.

Until then . . . . . wow.  Wowie wow.

Filed Under: Uncategorized

Fusenews: I Have Convinced Myself That Rather Than a Pony, What You Really Wanted for Your Birthday Was a Clown

November 4, 2008 by Betsy Bird


Note to Self: Upon becoming rich and famous please be so good as to remember that one of the perks of the position is that you get to have your own hidden library, like that of Holly Black.  Preferred methods of entrance will have to include a turning bookcase ala "put the candle back" and all that.  Which, in turn, makes me think of this.  Thanks to for the link.

Oz and Ends displays a panel from The Strangest Comic of the Month.  And the childlit references are abundant too.  Weeeeeeeird.

  • A live reading of Neil Gaiman’s Sandman series?  Apparently so.  From the press release:


V
eteran voice actor Tom Wayland and others, will read from some of the most politically charged excerpts of THE SANDMAN written by *New York Times*best-selling author Neil Gaiman, in honor of the 20th Anniversary of THE SANDMAN.

Hosted by the CBLDF and Vertigo, the dramatic reading will be will be held it the Helen Mills Theater in New York City on Saturday, November 8 at 7:30 pm. Tickets are available for a $50 donation to the CBLDF. Only 100 tickets are available to this special reading event.

THE SANDMAN is a series that is often hailed as one of the finest achievements in graphic storytelling and which Norman Mailer famously praised as, "a comic strip for intellectuals."  This very special evening will bring two of the series most beloved stories to life with a multimedia presentation that marries comics and live theater.

Thanks to Marci for the link.

  • Speaking of the G-man, I’m sure you all already heard this, but I figured I’d check up just in case.  The title reads Gaiman Taking Graveyard to the Big Screen.  Graveyard as in The Graveyard Book.  There’s a lot more information in this interview with him here.  Says he, "I don’t think it’s going to be transported to a graveyard in Los Angeles where they’ve been burying bathing beauties or anything. I think we’re actual going to stick with where the book is written and film that."  I want Miss Lupescue to be played by Judi Dench, please.  I mean, it’s live action.  May as well get the cream of the crop, no?


  • Aw.  The final Opus (Opus’s opus?) comic strip ran in the papers recently and it is most certainly children’s literature-centric.  Go see.  Thanks to Sharon Levin for the link.


  • In the course of her extremely funny piece Ladies, Please one Sarah Rees Brennan discusses why it is that female characters in literature, particularly when they are dull, idiotic, or villains.  And then she goes and makes a point about the Narnia books that has bugged me for years but that I’ve never been about to put so eloquently myself:

And we all know that Susan turns away from Narnia in the end anyway, in a very specifically female way. (Well, I guess Edmund could have turned away from Narnia in the same way, but that would be an intrinsically hilarious scene.)

PETER THE MAGNIFICENT: My brother Edmund is no longer a friend to Narnia.

ASLAN: Oh that’s a pity.

PETER THE MAGNIFICENT: All he thinks about is parading around in nylons and lipstick!

ASLAN: … Say what?

PETER THE MAGNIFICENT: DON’T ASK ME TO TALK ABOUT IT!

Read the whole thing.  Thanks to Shaken & Stirred for the link.

  • Yessssss!  I don’t usually single out reviews by other blogs, but I would just like to note how happy I am that Leila Roy has finally discovered the Enola Holmes books.  Boo-yah!


  • As I stood in the library the other day, I happened to look over at the bulletin board.  Tacked up I saw that someone had taken the below cartoon and written the words "New York Public Library" on the building. 

 

 

 

 


“As usual, the employees are the last to know.”                        by Tom Cheney


“As usual, the employees are the last to know.” 

*snort*

Thanks to Cartoon Bank for the image.

  • Daily Image:


You know, that comic was supposed to be today’s Daily Image.  But today everyone is voting and when I looked over at Children’s Illustration I saw a sight most fearsome.  Behold . . . . .  Cabbage Patch Candidates.



Can’t . . . . stop . . . . . shaking . . . . .

Must . . . . vote . . . . to . . . . remove . . . . image  . . . . from  . . .  brain.

(I should note that the money raised by the dolls goes to a good cause but . . . . eek!)

Filed Under: Fusenews

Review of the Day: The Origami Master by Nathaniel Lachenmeyer

November 4, 2008 by Betsy Bird

The Origami Master
By Nathaniel Lachenmeyer
Illustrated by Aki Sogabe
Albert Whitman and Company
$16.99
ISBN: 978-0-8075-6134-8
Ages 4-8
On shelves now

I harbored great resentment towards origami as a child. Essentially I was the kind of kid who’d harbor resentment against any trade, skill, or hobby in which I lacked basic essential skills. And for a kid who couldn’t so much as fold a paper airplane without detailed instructions, origami seemed like some kind of cruel joke. Here’s a piece a paper… foldity, foldity, foldity, foldity, voila! Instant paper monkey! Yet while I did not like the art itself, I would not have minded reading about origami had there been any picture books written about it. Maybe there were. Maybe my library shelves growing up were full of such stories, but if so they somehow eluded me. One book that hasn’t eluded me in the present day, however, is Nathaniel Lachenmeyer’s The Origami Master. Surprisingly funny and visually arresting this book is nothing so much as a small present from a small publisher. Like an origami creation itself, Lachenmeyer and artist Aki Sogabe have produced something small, meticulous, and ultimately charming.

Shima the Origami Master keeps to himself on the side of a tall Japanese mountain . His days are spent peacefully enough, folding origami papers into little creatures of his own making. One day a warbler sitting in a tree happens to see what Shima is doing and that night it folds the papers in much the same manner. This might be cute except for the fact that the warbler is a much better origami artist than the man. Its elephants are "simpler and more beautiful". And when Shima switches to dragons, the next night he finds a far superior version on his table that "looked like it was about to come to life and fly back to its lair." Increasingly frustrated Shima spies on his table the next night only to see the warbler improving on his origami spider design. Determined to get its secrets for himself, Shima traps the bird in a cage and leaves it lots of paper. However the warbler refuses to do anything but pine for its tree. And when the man falls asleep, he awakes to find the warbler gone and an origami key sitting by the cage. Fearful that he has frightened the bird away, Shima goes outside to find it making a nest in his tree and in gratitude he creates an origami nest, "for the friend he had made and almost lost." Instructions for making your own origami bird follow at the end of the book.

I love being surprised by a picture book. If an author can write a story in a mere 32 pages that goes in an unexpected direction then I am floored. And when the man woke to find that the bird escaped its cage by making an origami key, that’s when I tipped my hat. Artist Aki Sogabe was also clearly amused by the idea since the key in question is not a dark gray or blue but a bright and vibrant pink. A slightly brighter shade than the cherry blossoms where the warbler makes its home. Right off the bat I was also rather charmed by the cover and title of this book. Without reading the story, anyone in their right mind would take one glance at the illustration and words and think that the "Master" in question would have to be the old man folding a dragon on the table. You don’t even notice the small warbler nesting nearby, though it is clear that the bird is the better artist.

It was important to me that the warbler not be some kind of cartoony anthropomorphized creature haunting the man’s tree. Fortunately Aki Sogabe must have felt the same way since the pictures here are nothing if not realistic. The publication page says that the illustrations were created with "cut paper and watercolor", which I wouldn’t have necessarily have guessed. Sogabe weaves the cut paper elements seamlessly within the pictures. Sometimes an illustrator will utilize mixed media, and the foreign elements will veritably leap off the page (for good or for ill) and draw attention to themselves. When Sogabe chooses to use cut paper, however, you don’t even consciously notice. Is the pillow that the man kneels on made of cut paper? What about the little origami pages? Sogabe has made the conscious choice to create a smooth seamless transition between her watercolors and the outside elements, and it works like a charm.

Of course, I was a little surprised to hear that watercolor was Sogabe’s preferred painting choice since this book looks like nothing so much as a series of colored woodcuts. The thick lines of the man’s thatched home or the bold strokes that make up the warblers body; these all seem to indicate a woodcut or printmaking technique. At the same time, Sogabe’s vistas and landscapes where she sets her scenes are remarkably beautiful paintings. She gets the maximum amount of use out of distant hills and overlapping trees. Second and third readings of the book also reveal how elegantly she uses shadows. There is the shadow cast by the table when the man falls asleep and the bird is given its first opportunity to escape. There is the shadow of the man when he hides to find out who has been besting him at his own game. Each shadow highlights an important moment in the story but it’s not something you’d necessarily think to look for.

I am happy to say that The Origami Master joins my other favorite origami themed picture book Lissy’s Friends by Grace Lin. Together the two would make for a fabulous storytime or readaloud program (particularly if you wanted to finish the program by making some origami critters of your own with the kids). Deftly told in a lovely format, this book is a great example of a simple story paired with pitch perfect illustrations. A wonderful read and a wonderful find. A must for any collection.

On shelves now.

Misc:

  • The book was a Junior Library Guild selection.

  • Nathaniel Lachenmeyer stopped by Chicken Spaghetti to mention what he was reading.

Filed Under: Reviews

Blog the Vote

November 3, 2008 by Betsy Bird

So . . . . . whatcha up to tomorrow?

Cause, see, I had this idea.  Like, maybe we could go out to this place I know down the street.  No, seriously, it’s awesome.  Okay, fine it’s in an apartment building, but dude everybody is going to be there.  You’ll know I’m right because there’s always this long line snaking out of it, but it’s cool, really.  We could hang out, get in the line, get to see our neighbors.  I mean when was the last time you had a conversation with your neighbors, really?  And then we could do this thing where they take your name and you go into this little booth.  Really private, trust me.  And if we’re feeling up to it, maybe we’d (y’know) feel like voting?

I only mention it because it’s important.  Colleen Mondor knows that.  In fact, at the last Blogger Conference Colleen urged us to urge you to engage in a little voting.

How many blogs have dedicated precious time, space and effort to urge you to do this very thing?  See for yourself.  Impressive, no?  Not that I suspect that I need to.  My readers are of a particularly charming and intelligent bent (admit it, it’s true) and they all vote.  Unless it’s a busy day and they somehow forget.  Hence this reminder.

Go on then.  And just to give you a little inspiration, here’s Bob Staake illustrating a recent New Yorker cover.  Just to drill the point home.



Thanks to Children’s Illustration for the link.

By the way, don’t you just love the stuffed donkey and elephant in the image up above?  Sure, I could have gone with something classier, but there’s something hilarious about pin-up voting posters.  Now to find one featuring an appropriately gorgeous fella . . . .


Foof!  Whatta hottie!!

Filed Under: Uncategorized

Bookfest 2008

November 3, 2008 by Betsy Bird

Each and every year New York Public Library generously sponsors a one-day conference for librarians and educators called Bookfest at the library’s main branch.  Until this year.  Not that NYPL didn’t host the conference, but they certainly didn’t sponsor it.  Yes, at long last my two employers have finally come together in a big beautiful showing.  School Library Journal sponsored Bookfest this year and I couldn’t have been more pleased.  It’s like watching two characters on a television show you love finally getting married.  This was the Lily and Marshall wedding of the library age (those of you playing at home will get ten points for recognizing that reference).

The routine at Bookfest is always the same.  You get a big time speaker for the first part.  In the second part everyone splits into little moderated groups on different topics.  You could choose a picture book group or a YA novel group.  Anything fits.  Then everyone has a delicious boxed lunch and three big-time author/illustrators then talk and discuss upon a given topic.  This year the primary speaker was Brian Jacques, author of the Redwall books.  The other three speakers were Jeanette Winter, Walter Dean Myers, and Ibtisam Barakat.

And now allow me to introduce you to the World’s Tallest Podium.  Not really, but in my infinite wisdom I decided that the best possible way to photograph this event would be from the front of the audience.  Makes sense, no?  Not really.  You see, once upon a time I thought I was going to be a photographer and I even went so far as to major in Fine Arts with a concentration on photography.  Needless to say, I am not a very good person with a camera.  I have a definite problem with planning anything out.  So when I chose a chair that was directly below the podium, I did not anticipate shots like this one when the job was completed:


Whoopsie-doodle!  On the other hand, it gives a good sense of scale.  Check out the heights on these people.  Here’s Jack Martin, our YA coordinator thingy (they keep changing the positions in this library):



Here is Margaret Tice, our Assistant Coordinator thingy:



And here is Walter Dean Myers:



Altogether now.  "One of these things is not like the other."  If your primary association with Mr. Myers involves him sitting on one side of a table with you on the other hoping to get an autograph, you probably wouldn’t be aware of how bloody tall the man is.  That man towers!

But back to the beginning.  Brian Jacques was, as I said, our speaker and there is a reason for that.  The man is bloody brilliant at talking for long stretches at a time.  It put me in the mind of comedian Eddie Izzard.  You don’t think that his stories are necessarily going anywhere and then you realize that they are all connected and traveling back to the start.  Jacques was fond of dropping in fun details about his own life.  He was in a folk group in the 60s that used to back up The Scaffold, a group headed by Paul McCartney’s brother Peter (remember, Brian Jacques is from Liverpool).  He was born during the Battle of Britain.  And he only knows one librarian joke.  Actually, that was probably one of the best things about Mr. Jacques.  Aside from being a ribald speaker he isn’t afraid to really get into topics that a wimpier man would eschew.  Nuns beating him up as a kid at a school he referred to as "St. John’s School for the Totally Bewildered"?  Good stuff.  And when asked what character from the entirety of literature he most identifies with, the answer was keen.  "Flashman".

My sole regret with this talk is that I wasn’t able to get a picture of Mr. Jacques with his tongue sticking out.  Cause in the course of a single talk it’s amazing how often one man’s tongue can appear to drill home a joke.  I suppose that’s fairly self-evident, though.

Some good lines:

When discussing that inevitable question kids ask, "When did you decide to be an author?" Jacques said that his typical response is that one day he sprung out of bed and said, "Today I shall become an author!  And I shall auth and auth and auth."

Other line that I liked out of context: "I’ve got to eat Spam.  I don’t know why."

Once he finished it was time to separate into groups.  Now this was the first time I’d ever been asked to moderate a group for Bookfest and I was all kinds of excited.  I’d chosen to do Middle Grade II with a concentration on graphic novels.  My theme was "Quests" but that was just because I’d been asked to incorporate Redwall in some way, so I did the Redwall graphic novel.  And because my group was undoubtedly the smartest, cleverest, best looking in the room I was able to offer the extra special treat of leading them to the brand new children’s room in the Humanities Library (due to open in 2 weeks or so).  That was to reward them for being so nice as to chose my group.  Of course, as we were leaving I saw that a different moderator had made complex FOLDERS for her grouping, whereas I hadn’t made so much as a handout.  Crud.

But it was a ribald discussion.  We talked about Redwall and Moomin and Bone.  We talked about Mouse Guard and Jellaby, and in the midst of all this we worked in Pogo, Babymouse, Robot Dreams, and The Babysitters’ Club.  I was mighty grateful for the presence of Lori (Prince) Ess, Queens Librarian extraordinaire, who was able to turn the conversation into a cohesive whole through a graceful summary.  Kudos, lady!  And extra kudos to everyone who came.  Next time (if there is a next time) I’ll include handouts and chocolate.

Of course I was kind of unable to get out of the room again because people kept curiously poking their head in for "just a peek" and I’m so doggone proud of the space that I couldn’t help but let them.  Earlier in the day I’d raced down to our Closed Stacks in the Reference portion of the library to grab our permanent copies of a book by each of the authors.  Unfortunately we’d classified Tasting the Sky: A Palestinian Childhood as Young Adult, which is utterly unfair and meant that we didn’t have a permanent copy but whatchagonnado?  Even so I was able to hop into line and get signatures on books like The Librarian of Basra, Scorpions (first edition, ho ho!), and Redwall signed to The Children of New York.  Boo-yah!

After lunch it was time for the talks, and boy oh boy I hadn’t expected them to be this exciting.  Jeanette Winter started off by reading her newest (and as of yet unpurchased, I believe) picture book A School for Nasreen.  The story is a true one about the secret schools for girls that existed under the Taliban rule.  It was more than a little touching, and I think we all were delighted that she’d chosen to share it with us.  Next came Ms. Barakat, a fiery and amazing speaker with a passion and intensity that woke everyone up from the front to the back of the room.  She was full of sentences like, "If we hold back our tears we are not learning" and "There ought to be this adjustment where we reclaim our humanity."  It was gutsy beyond measure to hear her recount her history, the problems in the Middle East, and the solutions to the problem.  The fact that she was so open and accepting and not brimming over with anger was impressive, but I’d already gotten a sense of this from her book, so I wasn’t surprised.  I did wonder how many people in the room hadn’t read her book and would be surprised, though.  To hear about the atrocities committed by Israel is not something that tends to happen very often in a New York setting.  And to hear someone this dedicated to peace is remarkable.  She never spoke about the threats she’d received after her book or her talks, but instead spoke about the writing process and how a writer leads the reader by the hand because, "Most of us don’t like going anywhere alone."  She spoke about how artists lead the culture.  She did have a tendency to speak longer than her designated time, but just the contrast between her and her soft-spoken fellows was amazing.

Walter Dean Myers came last in the wake of his book Sunrise Over Fallujah.  "We are all involved in every war.  And we are all involved in every peace," he said.  Where Barakat was hot and passionate, Myers was cool and thoughtful.  They made for a fascinating pair, particularly when they answered questions at the end as posed by both Margaret Tice and the audience itself.

The final thing I took from the conference was Jeanette Winter saying that she was very excited about the proliferation of graphic novels on the market today.  This got me to wondering . . . will Ms. Winter dip her toe into the graphic novel world soon?  She’d certainly be in good company will fellow picture book artists turned comic whizzes Don Wood, David Small, and LeUyen Pham.  Time will tell . . .

The best part is that this whole kerschmozzle was taped and should be available online at NYPL.org at some point.  I’ll keep you posted on when it’s up.

Filed Under: Uncategorized

Video Sunday: Suck It Up, Yarn Ball

November 2, 2008 by Betsy Bird

Recently Jay Asher urged fellow YA authors to post their Senior portraits on their respective blogs.  Much along the same lines but infinitely worse are videos of authors from their Senior years.  Monica recently located Daniel Handler (a.k.a. Lemony Snicket)’s graduation speech from 1988 which is now on YouTube.  Wow.


Ah.  To be young and orange again.

I’d embed this here but it’s actually a little hard to find.  From Cynopsis Kids:

A good weekend for Harry Potter fans, as the new trailer for Harry Potter and the Half-Blood Prince has shown up online.  I was initially led to the trailer via www.the-leaky-cauldron.org , which in turn took me to www.traileraddict.com , and now a little while later, and the trailer is now pretty much all over the place. 

You can see it here in case you’re interested.

Halloween is now over, but I was pleased to find this fun video on How to Tell a Ghost Story over at Black Threads in Kid’s Lit.  As Kyra points out, a lot of this is just good writing information as well.


A kid-friendly offspring of YouTube?  When Joyce Valenza mentioned the site on her blog Neverending Search I was intrigued.  It’s called Totlol (clever) and it describes itself as "a video website designed specifically for children. It is community moderated. It is constantly growing. It is powered by YouTube."  I haven’t joined myself but from a perusal it’s an interesting conglomeration of bits.  Still, until they improve the technology I can’t see many small tots cozying up to the computer to get their visual kicks.  Now to be proved wrong . . .

Speaking of videos for tots, I got this one from BoingBoing. It’s a show for kids that’s all about crafts and appears to star the actress who played Janice on Friends (I’m not kidding).  Called Magpie Time it may or may not garner the child audience it wants.  One things for sure, though.  After watching this trailer for it I know more than one librarian who wouldn’t mind getting some of these crafty tips on a regular basis. 

The Official Magpie Time sizzle reel from Magpie Time on Vimeo.

The website seems pretty clear on everything except one essential detail. Is this a web show or a television show?

Filed Under: Videos

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