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A Complete Listing of Children’s Literature Statues: 2025 Edition

A Complete Listing of Children’s Literature Statues: 2025 Edition

May 14, 2025 by Betsy Bird 14 Comments

I did it 2013. I did it in 2017. Now eight years have passed and it’s time to do it again.

On a periodic basis I enjoy collecting all the statues of children’s literature characters in America that I can find. I do this, because a statue is a LOT of work. How do I find these statues? By my readers! People will send in suggestions of inclusions and I’ll add them to the list. And what kinds of statues count?

Here are the rules:

  1. All statues must be of children’s literature characters. This may include characters from folktales as well as nursery rhymes.
  2. The statues must be available in America. Maybe someday I’ll create a worldwide list, but for now we’re keeping our sights strictly on American statues.
  3. The statues must be available to the public without cost. I know that plenty abide in museums or amusement parks. Those don’t interest me. I want the statues that anyone could walk up and see if they wanted to.

Now recently I engaged in a lovely conversation with Shannon Hale and LeUyen Pham. In the course of our talk, they alerted me to the fact that there is a brand new Kitty-corn statue in Abilene, Texas. It was not without controversy. From our talk, LeUyen had this to say:

“In the case of Abilene, a complaint was registered at the city council meeting about the statue should be allowed to go up in a public garden.  Once again, let me say, we’re talking about a bronze statue of a KITTEN AND A UNICORN being considered as TOO CONTROVERSIAL.  For a CHILDREN’S STORYBOOK GARDEN. But here is where the story gets interesting, and to me, provides the perfect example of how to address book banning.  The citizens of the town itself came forward, writing in letters of support and denouncing these attempts to control what went into their garden.  Lynn Barnett, who was in charge of the festivities there, let me know in no uncertain terms how much the community was supportive of the books and the statue. In fact, she said that the committee had seen an uptick in donations for the festival in light of this banning, with letter after letter emphasizing the importance of letting children be children, or allowing parents to decide what was best for their own children, of emphasizing the positive messages of love and friendship that the books espouse.  In short, the community spoke up for themselves, and overwhelmingly voted the statue into the garden.  That summer, both Shannon and I attended the statue ceremony, and saw that the small handful of protesters (handful sounds like a lot — I’m thinking it was more like three people?) were camouflaged by people who also held signs, but with a different message.  “WE LOVE KITTY-CORN”, “WE LOVE OUR GARDEN!”, “WELCOME KITTY-CORN!”  I found it to be the most moving moment of my entire time in this sweet little Texas town. It shows that while our teachers and librarians and book creators are calling out the injustice and damage being inflicted upon our children, it takes the community itself to right that injustice.”  

This is lovely, and it inspired me to start up the old list once more.

So please! Sit back and enjoy this listing of all the statues I could find, with a couple new inclusions as well. And if you know of a statue that isn’t listed here, suggest it! I’m happy to keep adding on:


The Complete Listing of Public Children’s Literature Statues in America

Alphabetical by Book Title / Nursery Rhyme

Book: Alice’s Adventures in Wonderland
Location: Central Park, New York City, NY
Sculptor: José de Creeft

We all know this classic Alice statue that kids somehow manage to climb all over without killing themselves in the process (a miracle in and of itself). Originally constructed in 1959, the face of this particular Alice was modeled after de Creeft’s then-8-year-old daughter, Donna Marie.  What isn’t as widely known is the fact that this is not the only place you can see this famous face.

Book: Alice’s Adventures in Wonderland
Location: DiMenna Children’s History Museum, New York Historical Society
Sculptor: José de Creeft

Also created in 1959, this plaster is a patinated full size unique cast of the head of Jose de Creeft’s monumental bronze, Alice in Wonderland (the one in Central Park). She is located in the children’s library portion of the DiMenna Children’s History Museum within the New York Historical Society and is, understandably, quite large.  There is also, apparently, a doormouse in a drawer in the same library.  Thank you, Alice Stevenson, for the info.  And lest we ignore the forgotten Alice in Central Park . . .

Book: Alice’s Adventures in Wonderland
Location: James Michael Levin Playground, Central Park, New York City, NY
Sculptor: Frederick George Richard Roth

Completed in 1936, this is actually my favorite statue in Central Park. It has a monkey spitting water at you.  What more do you need?

Book: Alice’s Adventure in Wonderland
Location: Mendocino Coast Botanical Gardens, Fort Bragg, CA
Sculptor: Keena Good

Inspired by the coast to fill at least a part of it with Alice in Wonderland characters, metal artist Keena Good began a Kickstarter campaign to bring her vision to life. She succeeded magnificently and you can read about her process here. The sculptures were installed in April of 2013. Finding images of the sculptures proved to be somewhat difficult. You can see some better shots in the previous link.  Thanks to Deborah Alterman for the tip!

Book: Alice’s Through the Looking Glass
Location: The White Marsh branch of the Baltimore County Public Library, MD
Sculptor: William F. Duffy

Isn’t it gorgeous? We don’t have many red statues on this list, and the rough feel of the piece is perfect.  As you can see the statue was originally created in 1983.  You can read the artist’s thoughts on their creation here.  Big time thanks to Paula Wiley for some of the images.

Book: Amelia Bedelia
Location: Harvin Clarendon County Library, Manning, South Carolina
Sculptor: James Peter Chaconas

This little bronze has been in the possession of the Harvin Clarendon County Library since around 1999, it would seem. It was the artist’s first work with bronze, and he did a stand up and cheer job. The little cat makes for a nice touch. Thanks to Charlotte Johnston for the tip and info.

Book: The Bears of Blue River
Location: Shelbyville, IN

Not all children’s literary statues are of books you’ve heard of. I confess that until I ran across this image of the character Brent Balser holding aloft two bear cubs from Charles Major’s The Bears of Blue River, the book was unknown to me. What cannot be in doubt, however, is how friggin’ cool the image is. There’s even an annual Bears of Blue River Festival. Boo-yah, Shelbyville! Thanks to BHT for the link.  And speaking of bears . . .

Book: Blueberries for Sal
Location: Boothbay Harbor, ME
Sculptor: Nancy Schön

Remember the name “Nancy Schön” because it’s going to come up more than once here.  In 2008 she was commissioned by the Board of Directors of the Coastal Maine Botanical Gardens to make a sculpture of Little Bear from the book Blueberries for Sal by the author Robert McCloskey.  The result is this cute little feller who is surrounded by actual honest-to-goodness blueberry bushes.  You can read more about it and see Ms. Schön’s process here.

Title: The Bremen Town Musicians
Location: Morgan County Public Library, Madison, GA
Sculptor: Elbert Weinberg

Created originally for the Lenox Square Shopping Center (see some of the Uncle Remus statues below for others created for this open air mall), this beauty was apparently moved from the mall to the library as recently as 2012.  Love the look.  You can read a plaque with more information in this blog post.

Title: The Bremen Town Musicians
Location: The Lynden Sculpture Garden, Milwaukee, WI
Sculptor: Gerhardt Marcks

A little more representational than its Georgian equivalent, this statue was originally constructed in 1951. And lest you think this is the only children’s literary statue of Milwaukee, be sure you check out Gertie the Duck as well.  Thanks to JoAnn Early Macken for the tip!

Book: Brighty of the Grand Canyon
Location: Grand Canyon Lodge sun room, North Rim, Grand Canyon National Park, AZ
Sculptor: Peter Jepson

Though his book was penned by the same woman behind such classics as Misty of Chincoteague, and his adventures turned into a Disney film, not many folks remember old Brighty these days. That’s part of what I love about statuary. Long after the books have faded, something of them remains. In this case, a little burro bronze located at the Grand Canyon Lodge not too far from where Brighty’s story took place. You can learn more about him here if you’ve a hankering. Thanks to Pam for the heads up.

Book: Can You See What I See? by Walter Wick
Location: Abilene Chamber of Commerce building, Abilene, TX

Seymour

Part of the Storybook Sculpture Project of the Abilene Cultural Affairs Council, this bronze sculpture is of the character of “Seymour” in the Walter Wick book mentioned here. I was once asked if the Abilene Storybook Sculpture Project is largest outdoor storybook sculpture collection in America and I don’t have an answer. What I can say is that they have quite a lot of titles. You’ll see the name “Abilene” pop up a lot here today.

Book: The Cat in the Hat
Location: The Nichols Library, Naperville, IL
Sculptor: Leo Rijn

Standing at a whopping eight feet tall, this is one of the rare Cat in the Hats to stand on his own two feet without his creator’s statue anywhere nearby.  Get more information (as well as an audio tour of the statue) here.  See the cat yarn bombed here.  Thanks to Mr. Schu and Andrea Beaty for the suggestion!

Book: The Cat in the Hat
Location: The Storybook Garden, The National Center for Children’s Illustrated Literature, Abilene, TX
Sculptor: Leo Rijn

Now this Cat does indeed share quite a few similarities with the Cat in Naperville, it’s true.  From what I can tell this Cat is significantly smaller, coming in at roughly the size of a small child.  Still, it really feels like there should be some kind of connection.

Book: The Cat in the Hat
Location: The Geisel Library, University of California, San Diego, CA

Ah! A very nice one. Clearly Seuss is planning on taking over the world here. Spoiler Alert: He did.  Thanks to Lauren for the tip.

Book: The Cat in the Hat
Location: Cohen Children’s Hospital, North Shore, Long Island, NY

Tina wins for finding what may well be the most unknown Seuss sculptures to date. Indeed, if she hadn’t sent me a picture herself I might not have believed it. I’ll let her explain: “At the entrance of the Cohen Children’s Hospital at North Shore Long Island Jewish in Lake Success (just over the Queens border in Nassau County) are two wonderful bronze statues of the Cat in the Hat, and Sally and Nick riding their bicycle.” You can see them in the background in the first picture and too too close in the second. If anyone can send me something a little more clear, I’d be grateful. This one’s pretty obscure.  Thanks to Tina for the tip!

Book: Charlotte’s Web
Location: Wellesley Free Library, Wellesley, MA
Sculptor: Rion Microys

I never said the statues had to be made out of a particular substance, did I? So by that logic papier maché is a-okay. Here, Charlotte and Wilbur reside in a children’s room alongside Templeton the rat (he’s in there somewhere). For more information you can go here. Thanks to Jill Hilycord for the link!

Book: Dinosaur Bob and His Adventures With the Family Lazardo
Location: The National Center for Children’s Illustrated Literature, Abilene, TX
Sculptor: Bob ”Daddy-O” Wade

From 2001 to about 2007 or so, Bob lived on the roof of The Grace Museum’s garage. Originally the sculpture was commissioned for the 20th annual Outdoor Sculpture Exhibit, and the council’s Outdoor Sculpture Committee received permission from The Grace to put Dinosaur Bob on its garage. From what I’ve been able to piece together, Bob was challenged by someone in town and the city told The Grace to remove Bob.  Eventually he was saved and refurbished and given to the NCCIL where he lives today. Here’s an article about Bob and his controversy.  A brochure from 2013 shows where he eventually landed.  Thanks to Sidney Levesque for the tip and Morgan Mogler for the image!

Book: The Dinosaur Who Lived in My Backyard
Location: Stagecoach Park, Evergreen, CO
Sculptor: Greg Wasil

Based on a book by B.G. Hennessey, I always assumed that Bob here was based on Bill Joyce’s Dinosaur Bob. Not the case!  Check out more info on Bob here.

Book: The Enormous Egg
Location: The National Zoo, Washington D.C.

Do we count statues that were named for children’s books after the fact? We do when it’s a book like Oliver Butterworth’s classic. Plus I like having the three dinosaur statues here together. As it happens the name makes a lot of sense if you’ve read the book. In it a boy raises a dinosaur but when it becomes too large, “the boy brings him to the ‘National Museum’ in Washington, D.C. He remains there until he is eventually transferred to the National Zoo’s Elephant House because there is a law against stabling large animals in District.” Apt, no? You can learn more about the dino here. Thanks to L. Quirk for the link.

Books: Everything by Dr. Seuss
Location: The Dr. Seuss National Memorial at The Quadrangle in Springfield, MA

Can you believe that this is just a small sample of the statues you’ll find in this remarkable place?  To learn more about it, go here.

Book: Gentle Ben
Location: Walt Morey Park, Wilsonville, OR

This eight foot tall, 500-pound statue commemorates the hero of Walter Morey’s beloved book. Apparently Morey lived in town and his family donated the land for the park. In spite of his size and weight he was stolen and recovered back in 2012. Curiously, I could find no information on the sculptor or the year the statue was created. Thanks to Jen Maurer for the link.

Book: Gertie the Duck
Location: Milwaukee Riverwalk, Wisconsin Avenue Bridge, Milwaukee, WI
Sculptor: Gwendolyn Gillen

Ill-remembered today, this 1959 classic by Nicholas P. Georgiady and Louis G. Romano was based on a true story about a mother duck that nested on a wood piling under the Wisconsin Avenue Bridge. Today that same bridge sports statues of that little duck and her offspring as a reminder. There are five statues of Gertie and her chicks (which were named Black Bill, Dee Dee, Freddie, Millie, Pee Wee, and Rosie) along the Riverwalk.  There’s also a bronze statue of the Fonz known as The Bronz Fonz not too far away, but that’s neither here nor there. You can find more info on Gertie here.  Thanks to JoAnn Early Macken for the tip!

Book: Goodnight Moon
Location: Grenville, South Carolina
Sculptor: Jim Ryan and Zan Wells

One of the rare cases where sculptures have been made of a near forgotten character in a classic work of literature. As the story goes, there are a total of nine images of mice in Goodnight Moon. So for his senior project, Jim Ryan decided to make these mice and place them around the city’s Main Street. Technically there is a mouse in the book, and who’s to say it’s the same one in every picture? More info can be found here. Thanks to Jill Hilycord for the note.

Book: Green Eggs and Ham
Location: 95th Street Library, Naperville, IL
Sculptor: Leo Rijn

Naperville again. You’ve got to credit the people there. They like their Seuss. Mind you, I can never look at Sam-I-Am without wondering what the name of his top-hatted picky eating best friend was. A mystery for the ages, that one. Don’t be deceive by the photo of Sam, by the way. This little feller stands at a good nine feet tall! More information can be found here.

Book: Green Eggs and Ham
Location: The Storybook Garden, The National Center for Children’s Illustrated Literature, Abilene, TX
Sculptor: Leo Rijn

Same sculptor, different location.  As you can see the stick holding the food items is much shorter in this version than the one in Naperville.  Otherwise they’re mighty close.  Thanks to Sidney Levesque for the tip.

Book: The Guardians of Childhood series by William Joyce
Location: Various locations in Abilene, TX
Sculptor: Steve Neves

Guardians1
Guardians2
Guardians3
Guardians4

Give Bill Joyce this. Not only did he make a series, but somehow they all ended up as bronze statues in Abilene Texas. There you will find E. Aster Bunnyman, Santa Claus, Toothiana, and Jack Frost. Not sure if there are others, but these folks are scattered about town. This may make Abilene the most statue-friendly city in today’s post if we take into consideration size and the number of statues it contains.

Book: Harry the Dirty Dog
Location: Bookworm Gardens, Sheboygan, Wisconsin

Now here’s a location I can truly get behind! Apparently the Bookworm Gardens pride themselves on providing a, “garden based completely on children’s literature—over 60 different books are represented, selected by reading specialists, librarians, teachers, and kids.” Best of all, you get to actually wash Harry. See the location and all its cool ideas here. And thanks to JoAnn Early Macken for the tip!

Book: Honk the Moose
Location: Pavilion Park, Biwabik, MN

If the original book isn’t ringing any bells it’s a shame. This was a 1936 Newbery Honor book written by Phil Strong and illustrated by the legendary Kurt Weise. It’s always interesting to me when statues are made of books that were, themselves, based on true stories. In this case, the tale is about a moose that holed up in a stable with some horses when the weather was particularly grim. There’s a great MPR piece on it. The statue itself is made of fiberglass. No idea who made it but I believe its plaque suggests that it was created in 2000.  Thanks to Tina Larson and Laurie Johnson for the tip.

Book: Horton Hears a Who
Location: The Storybook Garden, The National Center for Children’s Illustrated Literature, Abilene, TX
Sculptor: Leo Rijn

A beautiful bronze sculpture of Horton is available for viewing in Abilene.  A lovely little feller from tip to toenails.  Thanks to Sidney Levesque for the tip and Morgan Mogler for the image.

Book: How the Grinch Stole Christmas
Location: Naper Boulevard Library, Naperville, IL
Sculptor: Leo Rijn

And we’re back in Naperville once more! You may recall that one of the Cats in the Hats was located outside the Nichols Library and Green Eggs and Ham outside the 95th Street branch. Artist Leo Rijn is back again as well with a Seuss character, and a holiday themed one at that.  Go here for more information.  Thanks to Crystal Brunelle for the tip!

Book: How the Grinch Stole Christmas
Location: The Storybook Garden, The National Center for Children’s Illustrated Literature, Abilene, TX
Sculptor: Leo Rijn

And like a ping-pong ball we shoot back to Abilene.  I just love how his feet have sunk into the “snow”. Thanks to Sidney Levesque for the tip and Morgan Mogler for the image.

Book/Rhyme: Humpty Dumpty
Location: Mount St. Mary Park, St. Charles, IL

Of all the nursery rhyme characters in the world, Humpty Dumpty is the most familiar and the most popular. Mount St. Mary Park is apparently just filled with statues throughout, but few of them have literary antecedents. This fellow does, fortunately. He’s actually listed as “Mr. Eggwards” in the park, and a smaller version of the sculpture titled, Sheldon “Shelly” Eggwards, greets visitors at nearby Pottawatomie Park (which you could also visit if you’re a completist). Thanks to Cana Clark for the suggestion!

Book/Rhyme: Humpty Dumpty
Location: Batavia Public Library, Batavia, IL

I wasn’t able to drum up any additional information on where this little guy came from, but I’m rather fond of him. I’m also fond of the fact that he sits on a wall outside of a library (the perfect place for him). He’s such a round little fellow. I bet the kids adore him. Thanks to Cana Clark for the tip!

Book: Itty-Bitty Kitty-Corn
Location: The Storybook Garden, The National Center for Children’s Illustrated Literature, Abilene, TX
Sculptor: Steve Neves

I don’t know the history behind most of these statues, but I think it is fair to say that this story of Kitty-corn and Unicorn and the controversy they sparked is indicative of how views of children’s literature have changed over time. You can read all about the objections to the statue here and here, if you’re curious. In essence, some parents saw a story about a kitty identifying as a unicorn and being accepted by a real unicorn as a representation of pro-trans values. To which I say – that’s about right. I mean, why not? Sounds pretty awesome to me. It seems not to have been purposely written that way, but part of what I like so much about literature for kids is that sometimes a book escapes the velocity of the creators’ original intents and finds the unintended audience who needed it. Besides which, this list of statues is sadly lacking in a fair amount of representation. I would love some kind of trans representative to be present. And if it has to be a unicorn and kitty? So be it. At this point I will take what I can get.

Title: The Jack Tales
Location: Community Center, Southwest Virginia Community College, Cedar Bluff, VA
Sculptor: Charles Vess & Johnny Hagerman with Eric Cook and Eric Yost

Though the definition of “sculpture” is broad, I find this Bas-relief sculpture made out of the brick of a wall certainly counts. Standing at 750 square feet it was begun in 1992. As Vess says of the choice to go with Jack stories:

“In the fall of 1992, I was commissioned by Southwest Virginia Community College in Richlands, Virginia, to conceptualize a monumental 30′ x 50′ brick wall sculpture that would be placed in a new campus building. . . . It was then that a young man named Jack seemed to plant himself squarely in front of my path to research. Jack of the mountains, Jack and his brothers, Soldier Jack, — the Jack Tale. Who better to represent the people of these four counties than young Jack, the hero of hundreds of lively tales, indigenous to the Appalachian Mountains? These very tales were brought by the Scots-Irish and German immigrants from Europe into the southwestern Virginia region during the mid 1700′s. Much as the early pioneers adapted themselves to this mountain environment, so did their stories adapt along with them. Thus, tales that were first transmitted orally throughout the British Isles and written down by the Brothers Grimm in Germany, mutated here into stories with an intrinsically `American’ hero. A hero who possessed limitless optimism and a trust in his absolute ability to control his own destiny.”

The wall was finished in 1997. And as Tina Hanlon said of the imagery, “Besides scenes from multiple Jack Tales, Vess put on the side a Native American storyteller and Brer Rabbit figure, to add cultural diversity to the Appalachian storytelling traditions represented.” Thank you, Tina, for the tip!

Title: John Henry
Location: John Henry Historical Park, Talcott, WV
Sculptor: Charles Cooper

So explain to me this. Paul Bunyan statues are so common in America that I had to include only one in this write-up for fear of making it too Paul Bunyan-centric. And I anticipated a similar problem when I decided to include John Henry. Yet insofar as I can tell, this is the only version of the man to be found in the continental United States.  What the heck? Finished in 1972 (the 100th anniversary of the completion of the Big Bend Tunnel where he plied his trade, or so say the denizens of Talcott) the statue weighs about three tons. Good thing too since he used to be in a remote location and subject to extreme vandalism. According to Roadside America he’s been riddled with bullets, pickaxe holes, dragged along Hwy 3, and doused with white paint.  Now he can be found at the entrance of the Big Bend Tunnel as of 2012 having been fully restored and repaired. Information on his move can be found here.  Thanks to Tina Hanlon for the tip.

Book: The Jungle Book
Location: Bensenville Public Library, Bensenville, IL
Sculptor: Tuck Langland

I like the story behind these. It seems that the Bensenville Public Library wanted to do something special for their 50th anniversary. And where other libraries might just throw a party or make a PSA, Bensenville set its sights a little higher. In 2010 they commissioned sculptor Tuck Langland to create these scenes from Rudyard Kipling’s The Jungle Book and then put them both inside and outside of the library. Then Tuck created sculpture workshops for the kids and they made figures that were cast and added to the library’s sculptures that he had made. You can see some pictures here and read a news story about it here.

Book: The Jungle Book
Location: Lena Meijer Children’s Garden, Frederik Meijer Gardens and Sculpture Park, Grand Rapids, MI
Sculptor: Marshall Fredericks

Tracing the history of this particular sculpture wasn’t as easy as all that. Most of what I know comes from folks running into it over the years. This one actually has the most poignancy for me because apparently when my mother was a little girl she used to climb all over it. That would have been in Northland. Yet Kent Culotta says that he remembered seeing it in the courtyard of the Livonia Mall (also in Michigan). According to the Meijer Gardens the piece is called Boy & Bear and is a bronze sculpture from 1954. I don’t know what caused it to travel from place to place, but at least we can say for certain that it’s found a home in the end. Learn more about the Meijer Gardens here.  Thanks to Kent Culotta for the tip!

Book: The Jungle Book
Location: Prospect Park Zoo, Brooklyn, NY
Sculptor: William Hunt Diederich

JungleBook

Travel to the Prospect Park Zoo and you will find a whopping sixteen bas-relief sculptures of scenes from The Jungle Book. Most of them are visible only inside the zoo, but the one I’m showing here today can be seen from the street. More specifically, thirteen Mowgli bas-reliefs are displayed on the Prospect Park Zoo’s two Flatbush Avenue entrance shelters and on the exterior walls of zoo buildings. Where did they come from? Well, these are pieces created during the New Deal and carved into Indiana limestone. More information can be found here. Many thanks to Ketrin for the information.

Book: The Jungle Book
Location: Brookgreen Gardens, SC
Sculptor: Rudulph Evans

JungleBook1

Located in the Brookgreen Gardens and Wildlife Preserve, this piece is by Rudulph Evans, a man probably better known for his Thomas Jefferson statue in the Jefferson Memorial. Created between 1917-1919, the piece is called “Boy and Panther” but is widely considered to be a piece of Mowgli and Bagheera. Thanks again to Ketrin for the link.

Book: The Legend of Sleepy Hollow
Location: Sleepy Hollow, NY
Sculptor: The company Miglo-Bufkin

Erected in 2006, I debated whether or not to include this story since it’s not technically children’s. Then again, I have copies in my own children’s section and few would argue that the Disney animated film isn’t totally kid-friendly. Also, the statue is awesome. According to this site, “The sculpture cost $175,000 raised through private donations and a state grant. The rust colored sculpture is fabricated out of overlapping rusted metal plates by the metal working company of Miglo-Bufkin.” If you’re interested in visiting the address is 420 North Broadway at Gordon Avenue in Sleepy Hollow, NY and it’s not far from the Sleepy Hollow Cemetery’s south entrance. Thanks to Leigh Woznick for the link!

Book: Lentil
Location: Hamilton, OH
Sculptor: Nancy Schön

In 2010 Ms. Schön was honored by The Eric Carle Museum for her work in the field.

Title: The Lion and the Mouse (Aesop’s Fables)
Location: Silver Spring Library, Silver Spring, MD
Sculptor: Marcia Billig

Beautifully public. Sometimes I like it best when the statues are out and available for whatever passersby happen to come along. However, Reader Kriesberg says, “Perhaps unfortunately, the library will close and move to a more urban setting, with probably no lawn, in a year, and I don’t know whether this outdoor sculpture, or the Depression-era Civil War mural inside will move to the new facility.”  Some info on the statue can be found here.

Book: The Lion, the Witch and the Wardrobe
Location: “Darrell’s Dream” Boundless Playground, Warriors’ Path State Park, Kingsport, TN

Until I started making this list, I was under the distinct impression that the only notable statue related to this book was the one of Mr. Lewis in Belfast. Not so! In spite of its British roots the book inspired one of the most original children’s literature sites in this little round-up. Says commenter Kim, “There is a boundless playground at Warriors’ Path State Park in Kingsport, TN that has several statues of the characters of Narnia. There is a multisensory/braille trail that you can follow to hear/read the story of The Lion, The Witch and the Wardrobe. You can walk through a wardrobe with fur coats to get into the playground and then on the trail there are some really great statues.”  How right she is.  Though I was only able to find an image of poor Mr. Tumnus looking like nothing so much as a guy being turned into a statue, it’s enough to convince.  You can learn more about the playground and its various amazing aspects here.  How interesting that this is one of the rare children’s books to actual make statuary a big part of the plot.  Maybe that accounts for the lack of Narnia statues in the world.  They’d look too much like the White Witch’s handiwork, no?  Thanks so much to Kim for the tip.

Title: The Little Mermaid
Location: Solvang, CA
Sculptor: Edvard Eriksen

While it is true that I am not doing an international listing of children’s literature statues (yet), there’s nothing saying I can’t display the half-size bronze replicas of famous statues from other countries when they appear in the U.S. Case in point, Denmark’s most famous statue – The Little Mermaid. Normally found in Copenhagen’s harbor, you can find her on the corner of Mission Drive and Alisal Road, just across the street from the Hans Christian Andersen Museum (who knew America had one?). According to the town’s website the mermaid was installed in July of 1976 when Earl Petersen, owner of Denmarket Square, learned of the replica’s existence and purchased it sight unseen over the phone from the artist’s family in Copenhagen. Happily the statue is “fully authorized by heirs of its sculptor Edvard Eriksen (1876-1959), who created the original statue in 1913.” As for the statue herself, her head is said to be modeled after prima ballerina Ellen Price and her body after the sculptor’s wife, Eline Eriksen. Incidentally, the city of Solvang was founded in 1911 by a small group of Danish teachers, which certainly accounts of the Andersen love. Further info on the statue can be found here.  Many thanks to CLTM for the tip!

Title: The Little Mermaid
Location: Glendale, CA
Sculptor: Edvard Eriksen

It took me a while, but eventually I learned that there are MULTIPLE little mermaids all around the continental U.S. Many of them based on Eriksen’s original design. For example, we have this one located in the Forest Lawn Cemetery alongside such dead celebrities as Errol Flynn, Michael Jackson, Elizabeth Taylor, and Spencer Tracy. British actress Greer Garson put this statue in the cemetary in memory of her mother.

Title: The Little Mermaid
Location: Greenwich, CT
Sculptor: Edvard Eriksen

The Little Mermaid appears to often be associated with graves and death. Here she sits atop the grave of Danish-American pianist/actor/composer/comedian Victor Borge.

Title: The Little Mermaid
Location: Kimballton, IA
Sculptor: Edvard Eriksen

This one gets her very own Mermaid Park. She was originally made in 1978 out of fiberglass and then recast in 2008 out of bronze. Lucky gal.

Title: The Little Mermaid
Location: Flat River, Greenville, MI
Sculptor: Steve Willison

This next one’s rather odd. Her body is essentially the same as the other mermaids, but her face is different. And yet THIS is the one that sculptor Edvard Eriksen sued for copyright infringement (or, rather, his heirs did).

Title: The Little Mermaid
Location: The International Peace Gardens in Salt Lake City, UT
Sculptor: Edvard Eriksen

Last one! This was the third place in the world to get Eriksen’s permission to have a little mermaid statue. It was originally installed on June 5th 1955 (Danish Constitution Day).

Book: The Little Prince
Location: Northport Public Library, Northport, NY

This 4-foot high bronze statue was unveiled in 2006. It appears that author Antoine de Saint-Exupery lived in the Bevin House on Northport’s Eaton’s Neck during 1942 and completed The Little Prince while there. Hence the statue. You can find more information on the statue here. Thanks to Nancy Morcerf for the tip!

Book: The Little Prince
Location: 972 Fifth Avenue, New York, NY (in front of the Villa Albertine bookshop)
Sculptor: Jean-Marc de Pas

A far more recent inclusion to this list and another New York-based Little Prince. This fellow was erected in 2023 and thanks to the the American Society of Le Souvenir Français nonprofit, and the children’s advocacy group Antoine de Saint-Exupéry Youth Foundation, it now can be found in front of the Villa Albertine, the French Embassy’s bookshop, on Manhattan’s Upper East Side. It seems funny to me that we don’t have more NYC Little Princes. After all, Saint-Exupéry notably wrote the book while living in the city.

Book: The Lorax
Location: The Storybook Garden, The National Center for Children’s Illustrated Literature, Abilene, TX
Sculptor: Leo Rijn

This particular Lorax is just one of six Seuss sculptures found in Abilene.  I’m not entirely certain why he’s shiny in one picture and darker in the next.  At the very least, you get a nice sense of scale in that second photo.  Neat!  Thanks to Sidney Levesque for the tip and Morgan Mogler for the image!

Book: Make Way for Ducklings
Location: Boston Public Garden, Boston, MA
Sculptor: Nancy Schön

Probably her most famous work, and certainly quite lovely.  It’s great to see how they get dressed up at different times of the year.

Title: Mary Had a Little Lamb
Location: Meetinghouse Hill Rd, Sterling, MA

You can find some info on the lamb here. And, naturally, there is the controversy that surrounds it.

Book: Millions of Cats
Location: Outside of New Ulm Public Library, New Ulm, MN
Sculptor: Jason Jasperson

This statue, revealed in 2016, reminds me of both the Hans Christian Andersen statue in Central Park (since he interacts with his Ugly Duckling) as well as the Ramona statue in Portland, Oregon (the hair!). As reported by New Ulm’s The Journal, the statue honors both Wanda Gag herself as well as her creation. It’s filled with clever details too. As the article says, “The tag on Gag’s shirt reads: made in New Ulm. Schaefer explained Gag’s mother was a seamstress in New Ulm and she made most of her children’s clothing, but the ‘made in New Ulm’ detail also referred the sculpture which was created through the work of a local artist and funded through local donations.” Take a look at sculptor Jason Jasperson’s process here as well. Huge thanks to Matthew Tessmer for this find!

Book: Mr. Tiger Goes Wild
Location: The National Center for Children’s Illustrated Literature, Abilene, TX
Sculptor: Steve Neves

One thing I like about the statue choices made in Abilene, Texas is the fact that they often honor the books that didn’t get the honors they deserved. To my mind, Mr. Tiger Goes Wild by Peter Brown was a Caldecott shoo-in, yet it was entirely shut out the year of its release. Happily, now Mr. Tiger can parade in all his wonderful nudity down the streets of Abilene. You can read about the celebrations here, if you like.

Book: Misty of Chincoteague
Location: Chincoteague Island, VA

As it happens, you can actually see the real Misty (stuffed) on Chincoteague as well. I’d understand why some folks would prefer to see this instead. More information can be found here. Thanks to J.L. Bell for the tip.

Title: Mother Goose
Location: Central Park
Sculptor: Frederick George Richard Roth

I am ashamed to say that after all these years of living in New York City I had no idea there even WAS a Mother Goose statue in Central Park until Leigh Woznick alerted me to the fact. According to Central Park, “The statue consists of the central figure of a witch astride a goose, surrounded by bas-reliefs of Humpty Dumpty, Old King Cole, Little Jack Horner, Mother Hubbard, and Mary and her little lamb. Roth and a team of craftsmen carved this work of art from a 13-ton piece of Westerly granite.” If the sculptor’s name sounds familiar that’s probably because he also created the Alice in Wonderland at the center of the Sophie Irene Loeb fountain in Central Park’s James Michael Levin Playground. Created in 1938 this statue stands at the entrance to the Mary Harriman Rumsey Playfield near the East Drive just south of the 72nd transverse road.  Now I need to make the trip to see it!  Thanks to Leigh Woznick for the tip!

Title: Mother Goose
Location: Lafayette Public Library, Lafayette, CO
Sculptor: Diane Mason

Mother Goose Winter_0

There may be multiple versions of this sculpture, I should tell you right now. As far as I can tell, it’s definitely displayed outside the Lafayette Public Library or Colorado, and it may also appear at the Herman & Kate Kaiser Library of Tulsa, OK as well.  It’s a little unclear but I can certainly confirm the Lafayette Library so that’s the one I’ll be displaying today. Thanks to Colleen for the tip!

Title: Mother Goose nursery rhymes
Location: Fairyland, Oakland, CA

Since it opened in 1948, Fairyland is considered by some to be the model for Disneyland and other storybook theme parks that would come later. If you want to take a look at some of the attractions and statues, be warned: You cannot get in without a child of your own. Read more about the park here or here.  Thanks to Amy for the tip.

Title: Mother Goose and other nursery rhymes
Location: Fairytale Town, Sacramento, CA

Crafty little goose, ain’t she?  Now this is the first of these fairytale parks I’ve run across that actually hosts a children’s book festival! Others should certainly follow suit. It’s called the ScholarShare Children’s Book Festival and it certainly has some big names.  As for the park itself, it opened originally in 1959. Learn more about it here.  Thanks to Crystal Brunelle for the tip!

Title: Mother Goose and other nursery rhymes / fairy tales
Location: Rotary Storyland & Playland, Roeding Park, Fresno, CA

A popular name for an amusement park (see New Orleans below), this particular location opened up around 1961 originally. Read this post for some background information on the park and its exhibits.  The parks website is here.  Thanks to Claudia Franks for the tip.

Title: Mother Goose and other nursery rhymes / fairy tales
Location: Clark’s Elioak Farm, Ellicott City, MD

Here’s a story. Long ago (1955) the first Theme Park in Maryland and the East Coast opened up. It was called The Enchanted Forest and was much beloved. Sadly after 1988 the property was sold and after various openings it eventually fell into a state of disrepair. But what became of the statues inside, you may ask? Enter Clark’s Elioak Farm. As you can see here, superhuman efforts were made to move some of the bulkier, larger structures. They’re now all available for anyone to see (with admission, naturally). Thanks to Libby for the tip!

Title: Mother Goose and other nursery rhymes
Location: Storybook Land, Egg Harbor Township, NJ

This particular park was founded in 1955 and appears to have gone strong ever since. You can read up on the park right here. Thanks to Phyllis for the tip!

Title: Mother Goose and other nursery rhymes
Location: Storybook Land, Wylie Park, Aberdeen, SD

Pretty much what you’d expect. Unfortunately it’s mighty difficult to find any background on this place. I’m not sure how old it is or where it came from. A tiny bit more information can be found here. Thanks to Donna Nix for the tip!

Title: Mother Goose and other nursery rhymes
Location: Story Book Forest, Idlewild, PA

This one has a much longer history that it owns up to than most. After saying that the place was built “not on motion, but rather emotion” it tells how “Story Book Forest was the brainchild of Mr. C.C. Macdonald, former owner of Idlewild Park, and Arthur Jennings, a performance clown who spent his summers entertaining guests at Idlewild.” No word on when it was made, but judging by the art it was a while ago. Before the 1960s in any case. An additional “Neighborhood of Make-Believe” featuring Mr. Roger’s characters was added later. Thanks to Pat Barnett and Judy for the tip!

Title: Mother Goose and other nursery rhymes
Location: Storybook Lane, Old Forge, NY

Strange as it may sound, though this location is up and running and doing well, I wasn’t able to get much in the way of information about it, let along photographs of its statues. The best I could do was this site here and this single image of Peter Pumpkin eater’s woebegotten wife. Odd, yes? You’d think they’d want to advertise. Thanks to Cathy Robertson for the tip.

Title: Mother Goose and other nursery rhymes
Location: Storyland, New Orleans, LA

NPR reported when Storyland took a hit after Hurricane Katrina.  All told, it seems to be operating as per usual at this time.  And you wouldn’t necessarily know it from the outside, but if you go in you’re likely to find . . .

Book: Epossumondas (yes, I’m mucking with the alphabetical order here a tad)
Location: Storyland, New Orleans, LA

Makes sense. Author Coleen Salley was a famed New Orleans denizen after all.

Book: Mouse Paint
Location: Kennelley Park, Fairport Public Library, Rochester, NY
Sculptor: Dexter Benedict

This sculpture was actually commissioned by the Fairport Library back in 2002. Ms. Ellen Stoll Walsh, author of the original book, is a Fairport resident, so the connection makes sense. According to Ms. Walsh herself, children’s librarian Robin Benoit was the brains behind the commission, coming up with the idea to place them in front of the children’s room.  Thanks to Matt Krueger for the tip!

Title: Paul Bunyan & Babe the Blue Ox
Location: Lake Bemidji, Bemidji, MN

Though the nation is rife with Paul Bunyan statuary, arguably the most famous can be found in Minnesota. They’ve stood since 1937 and in a recent article by Bemidji’s mayor (in response to Paul and Babe being used in a marketing blitz) he mentions that, “they’ve never given us much trouble — except when Babe cracked down the middle and had to have major surgery — and the time Paul wouldn’t let go of the Bemidji Curling Team’s Olympic bronze medal that was hung around his neck.” These two are part of the U.S. National Register of Historic Places. You can even find a documentary about the pair here.

Now here we come to a difficulty. Insofar as I can tell, there may well be at least twenty-six (you heard that right) different Paul Bunyan statues in the continental United States. I could spend days on end cataloging them here. I do meant to make this a rather all-encompassing list, but other characters deserve to be listed as well. So for now at least, let us allow the Bemidji Paul and Babe the honor of standing in for their 26+ brothers. They sort of belong more to the Tall Tale listing of statues more closely than the Children’s Literature statues anyway. Thanks to Belinda and Crystal Brunelle for the tip.

Book: Peter Pan
Location: Carl Schurz Park, Yorkville, NY
Sculptor: Charles Andrew Hafner

According to my sources (which is to say this site) this statue was originally made for the lobby fountain at the Paramount Theatre in Times Square. It was donated to the park in 1975 and according to Alex Baugh, “It was stolen once, I think around 1998, found in the East River and put back in its proper place.” For my part, I was pretty convinced that there weren’t any Pan statues in America. But, as the subsequent statues here show, I was way off the mark.  Thanks to Alex for alerting me to this.

Book: Peter Pan
Location: Main Columbus Metropolitan Library, Columbus, OH
Sculptor: Mary Elizabeth Cook

And here we have a SECOND Peter Pan statue in the States. This one, however, comes with a bit of a sad story. According to this site, “Charles E. Munson left money to have the sculpture made in memory of his son, George Peabody Munson who died at the age of six.” Which accounts for why this is a slightly younger Pan than you usually see.  Thanks to Erica for the tip!

Book: Peter Pan
Location: Eldridge R. Johnson Park, Camden, NJ
Sculptor: Sir George Frampton

This may look a bit familiar to you. If so, that’s probably because it is one of five copies in the world. Or, as this site says, “The other four statues are located in Kensington Gardens, London; in Sefton Park, Liverpool, England; in the Gardens of the Egmont Palace, Brussels; and in St. John’s, Newfoundland.” I’ve seen the Kensington Gardens version before but had no idea until now that there was an American version. Apparently it was purchased as a gift to the children of Camden and “The statue was dedicated at a magnificent Peter Pan Pageant on September 24, 1926, where over 3,000 schoolchildren from Camden, Merchantville, and other nearby towns.” Amusingly, the same park sports a statue of the great god Pan as well. Thanks to Stephen Winick for the tips!

Book: Peter Pan
Location: Weatherford, TX
Sculptor: Ronald Thomason and cast by Metz Castleberry

PeterPan

Finally, we head over to Texas for the final Peter Pan statue in our collection.  It’s located in front of the Weatherford Public Library, and if it looks somewhat familiar that’s because it’s a bronze likeness of none other than Mary Martin who played Pan on Broadway and on TV. A plaque on the statue calls it, “A tribute to the genius of Weatherford’s Mary Martin who brought a myth to life for America’s millions.”  Read more about the statue here where you can also read about a fiberglass Pan statue that reported, “back in the 1970s, some Mineral Wells students tore…down.”

Book: Pinocchio
Location: Citygarden, St. Louis, MO
Sculptor: Jim Dine

The sculpture itself actually has a name. Called “Big White Gloves, Four Big Wheels”, it’s part of Citygarden, a pubic park in St. Louis and is the only sculpture in the entire park that was commissioned rather than simply purchased. If you listen to the audio tour (found here) you learn that the sculptor Jim Dine has been a Pinocchio fan since he was six. It doesn’t explain why Citygarden also wanted a Pinocchio of their very own, but it does say some great things about Pinocchio as a work in general.  More info is here.  Thanks to Lynn Alpert for the tip.

Book: Pinocchio
Location: Citygarden, St. Louis, MO
Sculptor: Tom Otterness

I debated with myself whether or not to include this one, but the title is “Kindly Geppetto” and together with Jim Dine’s own Pinocchio-based work, the two statues establish St. Louis as (for whatever reason) America’s best place to find Pinocchio statuary.  Naturally I had to listen to the audio tour on the work here.  From it you can learn about everything from violence in Disney to Oedipus complexes.  Apparently this is supposed to be an image of Geppetto mere moments away from hammering little Pinocchio with a mallet.  More info is here.  Thanks to Lynn Alpert for the tip.

Book: Pinocchio
Location: Storybook Land, Wylie Park, Aberdeen, SD

Probably as far as you could get from the representational Pinocchios in St. Louis. Here in Aberdeen you basically have Disney’s version, right down to the black and white cat. Thanks to Donna Nix for the tip!

Book: Pollyanna
Location: Littleton, NH
Sculptor: Emile Birch

Okay. So I am officially in love with Littleton, NH. And after reading this little piece about their town, you will too.

Title: Ramona Quimby
Location: Gresham Regional Library of Gresham, OR
Sculptor: Lee Hunt

The first of MANY Ramonas to come.

Ramona Quimby, Henry Huggins & Ribsy
Location: Beverly Cleary Sculpture Garden, Grant Park, Portland, OR
Sculptor: Lee Hunt

The most famous Ramona statues are the ones found in this lovely park.  I’ve visited them once or twice and they’re spectacular.  Very well loved and tended.

Ramona Quimby
Location: St. Paul Central Library, St. Paul, MN

Actually, I’m pretty sure I have one too many statues here.  As I recall the St. Paul Library only has two Ramona busts.  Whence the third?  Help me out here, readers.

Book: Rip van Winkle
Location: Irvington, NY
Sculptor: Richard Masloski

A relatively recent creation, this Rip is rather beautiful in his construction, don’t you think? The New York Times even wrote an article about the plans to create the statue back in 2001. It is not, however, the only Rip van Winkle in town. Behold:

Book: Rip van Winkle
Location: Irvington, NY
Sculptor: Daniel Chester French

This one’s a little bit older. It was unveiled June 27, 1927 and currently stands at the Washington Irving Memorial at the corner of Broadway and West Sunnyside Lane. Amusingly Rip is just one of three statues there. One is a bust of Washington Irving himself. The other? According to The Irvington Historical Society, “Boabdil, a minor character in Irving’s The Alhambra”. Uh-huh.  Thanks to Leigh Woznick for the tips!

Book: The Rough Patch
Location: The National Center for Children’s Illustrated Literature, Abilene, TX
Sculptor: Steve Neves

In 2023 Brian Lies reported that his Evan the Fox was the newest inclusion in the Adamson-Spalding Storybook Garden. Once again, sculptor Steve Neves strikes again. It’s so nice to see recent titles making appearances in Abilene. Well worth a visit, yes?

Book: Runaway Bunny
Location: Westerly, RI

This little bunny suffered some serious vandalism recently, but I believe everything’s been cleaned up nicely by this point. Feel free to pay him a visit.

Book: Sadako and the Thousand Paper Cranes
Location: Seattle Peace Park, Seattle, WA
Sculptor: Daryl Smith

Wait . . . we’re not done . . .

Book: Sadako and the Thousand Paper Cranes
Location: College of Business, University of Utah, Salt Lake City, UT
Sculptor: Daryl Smith

One more . . .

Book: Sadako and the Thousand Paper Cranes
Location: United Nations Peace Plaza, Independence, MO

Only Ramona challenges Sadako for most statues of a girl in a work of children’s literature. For a full listing of worldwide Sadako memorials and statues, go here. Commenter Rochelle says that there is also a Sadako found in Sante Fe, NM, ” maybe 2 feet tall (or so) inside a visitor’s center”. I wasn’t able to find anything online about it, so anyone who has more info – lay it on me!

Book: Santa Calls
Location: The National Center for Children’s Illustrated Literature, Abilene, TX

Book: The Secret Garden
Location: Conservatory Garden, Central Park, New York City, NY

Yes, Virginia. There really is a Secret Garden statue and tribute to Frances Hodgson Burnett hidden away in Central Park. Though these two are supposedly Mary and Dickon, I’m a bit skeptical. Dickon maybe. Mary? Not so sure. The plaque that you’ll read on the ground, however, makes it pretty clear what this is supposed to be.

Book: Tom Sawyer & Huck Finn
Location: Hannibal, MMO
Sculptor: Frederick Hibbard

I think we can get away with saying that Tom’s a classic children’s literary character. Huck Finn? Not so much, but we won’t hold that against him as he shares the spotlight with Tom.  There’s a great clip from a 1926 New York Times news article about the statue here.  Considering how long ago this was made, I should probably be including more information on the dates these sculptures were made.  Thanks to J.L. Bell for the tip!

Title: The Tortoise and the Hare (Aesop’s Fables)
Location: Van Cortlandt Park, on the sidewalk on Broadway (between 249th & 250th), Bronx, NY
Sculptor: Michael Browne & Stuart Smith

This marks the one and only New York City statue I was wholly and completely unaware of before I started this project. This lovely little work sits on a stone pedestal just outside the finish line of the Van Cortlandt Park cross-country track, which according to various sources is one of the best known in the country. The statue was apparently created as part of a capital project upgrading the track. Thanks to Sistahgirl for the tip.

Title: The Tortoise and the Hare (Aesop’s Fables)
Location: Copley Square, Boston, MA
Sculptor: Nancy Schön

Looks like NYC isn’t the only place sporting this particular fable.  Ms. Schön strikes again, and in Boston too.  Plus it’s not her only one.  She has a great series of Aesop’s Fables in sculpture.  Check ’em out here.

Book: The Ugly Duckling
Location: Central Park, New York City, NY

Though Mr. Hans Christian Andersen gets all the attention, it’s the little duckling I love.  I’ve done storytelling in front of this statue and it is bracing stuff.  It is not, however, the only pairing of Andersen and his little duckling in statuesque form.  Behold . . .

Title: The Ugly Duckling
Location: Lincoln Park, Chicago, IL
Sculptor: Johannes Gelert

It was important that I show that this isn’t just a statue of Mr. Andersen (nice enough though that may be) but also features one of his characters. The Ugly Duckling is now all grown up and I like that it appears to be standing guard beneath its maker. Who put up the money for this beauty back in 1896? According to this site it was, “American citizens of Danish descent throughout the country.”  I wonder if it’s the oldest children’s literary statue on this list.  Thanks to Nellie for the tip.

Book: Uncle Remus, His Songs and Sayings
Location: The Uncle Remus Museum, Eatonton, GA

As you will see, Br’er Rabbit is the kind of guy who gets represented in a myriad of different forms. This one, for all that it’s a touch odd, is my favorite. I mean, he’s wearing a purple suit. You’ve got to be a seriously smart dresser to pull that one off. For more information on the Uncle Remus Museum, check out their website here.  And here’s a news article about what happened when some college kids stole him as a prank. Thanks to Eric Carpenter, PG and Elizabeth Dulemba for the tip!

Book: Uncle Remus, His Songs and Sayings
Location: Putnam County Courthouse, Eatonton, GA

Full credit to Eatonton. They love Br’er Rabbit so much that a single statue of him in town wasn’t going to cut it. This second rabbit dons a snappy red sportscoat. And yes. That is Salman Rushdie in the second photo.  Thanks again to Elizabeth Dulemba for the tip!

Book: Uncle Remus, His Songs and Saying
Location: Morgan County Public Library, Madison, GA
Sculptor: Julian Hoke Harris

Created in 1959, these statues used to reside in the Lenox Square Shopping Center, an open air mall. Rumor has it that in the early 1970s they were deemed offensive and eventually were moved to the library instead. Another story says that “The Critters” (as they’re called) were moved in 1978 when the mall underwent a major renovation. Just gorgeous art in any case. You can find some first person accounts of their unveiling in the comment section of this blog post and a picture from that unveiling here. For some background information this post has a great plaque that discusses the statues.

Book: Where the Red Fern Grows
Location: Idaho Falls Public Library, Idaho Falls, ID
Sculptor: Marilyn Hansen

One of the best library statues I’ve seen.  More information on it can be found here.  And what’s amazing to me is that it’s not the only statue from that book in the world.

Book: Where the Red Fern Grows
Location: Sequoyah Park, Tahlequah, OK

There’s even a Red Fern Festival to accompany it.

Book: Watership Down
Location: Wandell Sculpture Garden, Meadowbrook Park, Urbana, IL
Sculptor: Todd Frahm

Because you can never have too many bunnies. Now I was a little skeptical, I admit, when reader Thaddeus Andracki said that there was a statue of El-Ahrairah in an Illinois sculpture garden. Who’s to say it isn’t just a big rabbit? But after checking out the garden’s brochure I am convinced. You might well wonder if Watership Down should really be considered a work of children’s literature. I’d say it’s at least YA, and YA is few and far between enough that it will count here. Thanks again to Mr. Andracki for the link!

Book: Whistle for Willie
Location: Prospect Park, Brooklyn, NY
Sculptor: Otto Neals

Yep. That’s Ezra Jack Keats’ Peter from The Snowy Day, Whistle for Willie, and so much more. Herein lies the very last children’s literature related location I need to get to before I someday leave NYC. But it’s Brooklyn. SO far away . . .  You can read more about the statue here.

Book: The Wind in the Willows
Location: Mountain View Public Library, City of Mountain View, CA
Sculptor: Albert Guibara

1999 marks the year these iconic characters were made. They’re located behind the library and, it is probably the only statue on this list to be attached to something living. Some of the works have been merged with the oak tree found back there. For more information check out the artist’s website here. Many thanks to Rebecca Laincz for the tip!

Book: Winnie-the-Pooh
Location: Newton Free Library of Newton, MA
Sculptor: Nancy Schön

As the story goes, Eeyore was established in 1991. But he looked so sad that Pooh was made in the memory of Sarah Oliver who had written the mayor asking for Eeyore to have a friend.  Later on Piglet joined.  Read this little article on the characters for more information.  Thanks to J.L. Bell for the tip about Piglet.

Book: The Wonderful Wizard of Oz
Location: Oz Park, Chicago, IL
Sculptor: John Kearney

In the past their plaques have been stolen, but at least the statues themselves have remained intact.

Book: The Wonderful Wizard of Oz
Location: Union Station, Burlington, VT

Apparently these flying monkeys have had a long and sordid history.  They originally were featured on the roof of a futon store called Emerald City (I believe the first photo here shows that), but were stolen at various times.  These days they reside on top of Burlington’s train station (the second photo).  You can find more info on them here.  Boy, they’re scary!  Thanks to J.L. Bell for the tip.  Mind you, putting Oz characters on a roof is nothing new if you’ve already seen . .

Book: The Wonderful Wizard of Oz
Location: Juneau, AK

We’re not in Kansas anymore, Toto. We’re in Alaska! On top of Reliable Sheet Metal, as it happens. Legend has it that this motley crew all began with a single Tin Man. The workers in the shop were just bored one day and made him. But Tin Man proved so popular that they decided to add a character every year.  There’s a little more information to be found here.  The tornado is my favorite.  Thanks to BHT for the tip.

Title The Wonderful Wizard of Oz
Location: Storybook Land, Wylie Park, Aberdeen, SD

L. Frank Baum apparently lived in this part of the country for a portion of his life. All the more reason for this nice showing of familiar faces. It’s interesting to me when a statue harkens closer to a movie than a book. Legality be damned. This is ART we’re talking about! You can find more information about the site here.  Thanks to Donna Nix for the link!

Title: Wynken, Bynken and Nod
Location: Washington Park, Denver, CO
Sculptor: Mabel Landrum Torrey

This particular statue is located next to the home of Eugene Field, the creator of the classic poem. It is not the only one of its kind, however. Travel to Wellsboro, PA and you’ll find a bronze statue/replica on the city’s Green. For more information, go here.  Thanks to Stephanie Harvey for the suggestion.

Book: Yertle the Turtle
Location: The Storybook Garden, The National Center for Children’s Illustrated Literature, Abilene, TX
Sculptor: Leo Rijn

One of the few Rijn sculptures where I can only find one version in the States.  If folks know of a second Yertle (aside from the one in the Dr. Seuss National Memorial) I’d love to hear it.  Thanks to Morgan Mogler for the image!


And now, a confession. I am aware that I’m missing a swath of Abilene, Texas children’s literature statues (you can see a slew of the ones I need to add here). I’ll be add them to this post steadily in the future, but I’m sure that there are others around the country that I don’t even know about. So don’t be shy! Tell me the ones you’ve seen!

Filed Under: Uncategorized Tagged With: children's literature statues

Cover Reveal and Q&A: The Lions’ Run by Sara Pennypacker (cover by Jon Klassen)

May 13, 2025 by Betsy Bird 1 Comment

It would be difficult for me to put into words how fond I am of the novel Pax by Sara Pennypacker. As an author, she surprises me on a regular basis, whether through her Clementine series, my favorite unexpected-dead-body novel The Summer of the Gypsy Moths, or with her story of war and foxes that cracked my heart into small bite-sized pieces.

To my infinite horror, I have only now just discovered that I never reviewed Pax myself. Perhaps I did professionally (I won’t review something on my site if I review it elsewhere) but if so then that knowledge is lost to the sands of time.

Today, I make up for it. Not simply with a talk with Sara about her latest novel, but also with a cover reveal. And the cover artist? Jon Klassen. Oh. You’re gonna wanna see this.

The book in question is called The Lions’ Run (out February 3, 2026) and it is described by its publisher in this manner:

“The acclaimed, New York Times bestselling author of Pax delivers an historical novel about an orphan during WWII who discovers unexpected courage within himself when he becomes involved with the Resistance.

Petit éclair. That’s what the other boys at the orphanage call Lucas DuBois. Lucas is tired of his cowardly reputation, just as he’s tired of the war and the Nazi occupation of his French village. He longs to show how brave he can be.

He gets the chance when he saves a litter of kittens from cruel boys and brings them to an abandoned stable to care for them. There he comes upon a stranger who is none too happy to see him: Alice, the daughter of a horse trainer, who is hiding her filly from German soldiers.

Soon Lucas begins to realize they are not the only ones in the village with secrets. The housekeeper at the German maternity home and a priest at the orphanage pass coded messages; a young mother at the home makes dangerous plans to keep her baby from forced adoption; and a neighbor in town may be harboring a Jewish family.

Emboldened by the unlikely heroes all around him, Lucas is forced to decide how much he is willing to risk to make the most courageous rescue of all.

Perfect for fans of Alan Gratz, Ruta Sepetys, and Kimberly Brubaker Bradley, this accessible novel, told in short chapters, illuminates a little-known aspect of World War II history.“


We’ll get to the cover of this book, my friends. Oh yes we will. First, though, we simply have to talk to Sara about it:

Betsy Bird: Sara! Thank you so much for giving us this incredible peek into THE LIONS’ RUN! Now I just did a rundown of your previous titles and I think that it is fair to say that this is a bit of a tonal change from what you’ve produced before, yes? Historical fiction! WWII! Nazis! Not that you didn’t have a bit of warfare in the PAX novels, but this is distinctly different. Where did this book come from? What is its origin story?

Sara Pennypacker

Sara Pennypacker: It is a change, but I’ve stopped trying to figure out what I should write next. When a story calls, I just say thanks and start typing! For this origin, we have to go back about 20 years, to when I stumbled upon the Nazi Lebensborn Program and how it operated in occupied countries of Europe. As I researched, I became more appalled—Why doesn’t anyone know about this? How should I respond?—until finally I  wrote a novel for adults set in a Lebensborn home, MY ENEMY’S CRADLE, under my maiden name. That book never left me, I think because crimes continue to be committed against women and children during wars, and continue to be overlooked. I always wanted to write about this for a mid-grade audience, but I couldn’t find a story that would bring a main character into a Lebensborn until a few years ago, when I learned that kids as young as eleven were sometimes used as couriers for The Resistance.

BB: Thematically, the book does touch on the idea that in the midst of a cruel government, resistance can be found all around. Not to get too obvious about it, but it certainly seems to have pertinent things to say to kids in 2025. Was that on your mind at all when you wrote the story? And what do you think kids will be able to take away from it?

Sara: Oh, Betsy. Just your question bring tears. When I began this book two years ago, I felt we had just experienced a narrow brush with cruel authoritarian rule and escaped, so it would be safe to look at things like that in a children’s book. And then…  So yes, it’s terribly disheartening, but ugly things we thought we’d laid to rest a long time ago are raising their heads again. What I want kids to do as they read The Lions’ Run is what I always want them to do: put themselves in my characters’ positions, then think and question. I believe firmly that authors should not proselytize—our job is to ask questions, then step aside and let a variety of characters explore answers—but it was especially hard in this book. By the way: To my knowledge, no one ever rescued a baby from a Nazi maternity home, but if anyone had, I bet it would have been a kid.

BB: Damn right. Was there anything you particularly wanted to include and had to remove before the final product?

Sara: Interesting question. I over-write as a rule, and end up cutting about half of all my original drafts, and that was all in this case. But only because I had previously written that longer novel about the Lebensborn Program! So yes, there was a lot more about those Nazi maternity homes I felt deserved to be written about (what happened to those babies taken from their mothers and home countries to be Germanicized deserves its own book) and I hope some readers will do follow-up research. But because I got to include much of it in my earlier novel, I felt comfortable reducing the scope of The Lions’ Run to only those elements that would naturally be of interest to my main character.

BB: That makes perfect sense. And Jon Klassen did the art of the cover, of course, but did he do interior illustrations as he did in PAX? And how did it feel being paired with Jon once again in this book?

Sara: I am such a fan of Jon’s! At first, purely because of his art. But then I had the privilege of touring with him a bit when PAX came out, and I found him to be a deeply thoughtful artist, passionate about children’s literature; someone an author can really trust her story with. So when I learned he could take on this book (no, not interiors, only the cover, map and a chapter opener) I was thrilled, of course. Even knowing what to expect, though, I actually gasped when I saw the first cover sketch for THE LIONS’ RUN. And then I went back to my desk determined to make the final revision live up to that electrifying cover.

BB: Ah! That’s a form of collaboration I’ve not seen or considered before! Now is THE LIONS’ RUN a standalone novel or part of a series, would you say?

Sara: It’s definitely a standalone. But I’ve said that about a book before—PAX—and a few years later, found I was wrong.

BB: Finally, I know that this book isn’t even out yet, but I have to know – what else are you working on today? What else is in store?

Sara: Oh, I’m glad you asked! I do like to shift tones, and since THE LIONS’ RUN was one of the most difficult, most serious, books I’ve done, I was ready to write a pure romp. The novel I’m working on now touches on some important themes, but it’s also a defiant joy-ride, and pretty funny. My favorite thing about it is that my twelve-year-old main character is in charge, truly in charge, even of the adults in the story. In every other book I’ve written, the child characters are reacting to challenges or threats that come at them in a world where adults have the power and set the rules. I’m feeling pretty sick of that dynamic these days, and I sense that kids are too, so look out…


And look out we shall! Big thanks to Sara for answering my questions today. And if you haven’t skipped to the bottom of this piece then you certainly deserve this cover reveal. Hold on to your hats!

Incredible work. For the cover, the publisher went with Jon’s favorite sketch and he designed it (including the type) himself. So jacket credit goes to Jon Klassen with input from Associate Designer Julia Bianchi.

The Lions’ Run is out, as I mentioned before, February 3, 2026, but it is NEVER too early to get excited.

Finally, additional thanks to Morgan Kane and the team at Macmillan Children’s Publishing Group for helping to set this all up today!

Filed Under: Cover Reveal, Interviews Tagged With: author interviews, cover reveal, Jon Klassen, Sara Pennypacker

Fuse 8 n’ Kate: Baseball Saved Us by Ken Mochizuki, ill. Dom Lee

May 12, 2025 by Betsy Bird Leave a Comment

It’s baseball season! And baby season! Kate just had a baby (her first!!) almost a month early, and now that she has her brain back in order, we’re finally tackling a baseball picture book for the spring. Now to my mind, this book is significant because as a work of historical fiction, it was one of the first picture book titles for kids to address a moment in American history that we, as a nation, are not proud of. I apologize for not grabbing the 25th anniversary edition of this book for Kate (supposedly it has more notes included) but this one worked out just fine. It’s definitely our first Lee & Low book, and spurred on many other books for kids to come. Stay tuned for copious recommendations for readalikes to this title.

Listen to the whole show here on Soundcloud or download it through iTunes, Stitcher, Spotify, Google Play, PlayerFM, Audible, Amazon Music, or your preferred method of podcast selection.

Show Notes:

The nonfiction book for kids that I allude to about photographers who shot images of the Japanese internment camps was Seen and Unseen by Betsy Partridge

My Lost Freedom by George Takai truly is my favorite Japanese Internment Camp picture book for kids, as I say.

Be sure to check out the book Barbed Wire Baseball by Marissa Moss, for a nonfiction version of this book.

And also please find Take Me Out to the Yakyu, if you want to compare and contrast American and Japanese baseball games today.

Honestly, I’m very pleased that the awful man with the glasses and the gun in the guardhouse, though the text says he gives our hero the thumbs up when he wins the championship game, is never depicted doing so. Instead you see this:

I love how the illustrator references the image of the man in the guardhouse with this boy with the glasses on the mound just with these images.

Please Note: Kate would like more baseball socks in books, please.

Kate Recommends: Special K Brownie Batter Protein Bars

Betsy Recommends: The film Hitchcock

Filed Under: Fuse 8 n' Kate Tagged With: Baseball Saved Us, Dom Lee, Fuse 8 n' Kate, Ken Mochizuki

Review of the Day: Fireworks by Matthew Burgess, ill. Cátia Chien

May 9, 2025 by Betsy Bird 5 Comments

Fireworks
By Matthew Burgess
Illustrated by Cátia Chien
Clarion (an imprint of Harper Collins)
$19.99
ISBN: 9780063216723
Ages 3-6
On shelves May 13th

Think for a moment of the great picture books about summer. The ones that capture it perfectly. It’s such a subjective thing to ask. For me, the ideal summer picture books are the ones I read as a kid. Books like Ultra-Violet Catastrophe by Margaret Mahy or even A Time to Keep by Tasha Tudor. You probably have your own favorites to draw upon. Of course, summer picture books set in the city are another animal entirely. And summer picture books set specifically in New York City? That makes me think of wonderful titles like Water in the Park by Emily Jenkins or Heatwave by Lauren Redniss. We don’t really have a universal summer city picture book to call upon though, do we? Well, as it just so happens, I have a candidate in mind. It KNOWS summer. It KNOWS New York City. And best of all, it knows how to be interesting to large groups as well as individual readers all at once. Kaboom.

“In the summer, the sun rises between buildings on our block to greet us at breakfast.” Two kids (siblings perhaps?) document what the day looks like for them. It’s summertime, and that means “steamy city sidewalks,” fire hydrant sprays, “bubble cheeks blowing brassy blasts that make us onlookers dance,” watermelon slices, salsa, and so much more. But the best is yet to come. Tonight is a special summer night. The two kids climb to the roof of their building and wait. And soon enough… fire erupts in the sky! Fireworks (though never named) begin their incredible show. By the time it’s all done, the two return to their room and their bed, “between cool sheets… to be tucked in with summer on our skin.” Kaboom.

Is it a Fourth of July book? Not specifically, but you just KNOW that’s when it’s going to get pulled out by librarians and booksellers nationwide every year for displays. And for good reason too. In general, Fourth of July picture books just… don’t exist. Mosey on over to your local library sometime and peruse the Holiday Book section of the children’s room. You’ll see loads of different Holiday-related titles there, but I guarantee you that you’ll find at least twice as many more Groundhog Day books than July 4th. That’s because it’s a hard topic to tackle. None of this is to say that such books don’t exist. I consider Janet Wong’s Apple Pie 4th of July a pioneer in the field. But books about the fireworks display that accompanies such celebrations… it’s weird, right? By all rights we should have loads of them! They’re kid-centric (for those kids who aren’t susceptible to loud noises), beautiful to see, and the kind of thing a family can attend together. So where are the books celebrating them? A quick Google search displays some… but none can compare to this. Burgess and Chien? They’ve hit on something.

And it’s not just the fact that they’ve discovered a subject too little lauded in the picture book sphere in the past. You know how people ship characters in stories or TV shows or movies? I ship authors and illustrators. Not romantically (ew) but professionally. It’s one of the few times I envy editors. Imagine having the power of combining any author/illustrator combo you want. Kadir Nelson and Christian Robinson. Laura Amy Schlitz and Sophie Blackall. Pedro Martin and Yuyi Morales. The POWER…. the power…. And I could use it to such great effect. I could take illustrators that have never received the texts they deserve and pair them with the authors who have penned the BEST texts… and that’s what we have here. At last. Not that I ever would have come up with this pairing myself. But Matthew Burgess and Cátia Chien? By the magic that imbues only the best of picture books, these two work exceedingly well together. Burgess brings the literary poetry. Chen, the level of creativity and sheer chutzpah a book like this one warrants. Together, they are unstoppable.

Let’s look at Burgess’s language. First off, Burgess makes this book UNAPOLOGETICALLY NYC. It never names the city, but come on. All the clues are there. The fire hydrants that let loose on summer days. Bodegas. Musicians playing the saxophone in the park. The Brooklyn Bridge (that one’s a biggie). And, best of all, creaky fire escapes leading to the roof. Burgess sets the scene, but then he brings another level of introspection to the proceedings. The whole book is written in the present tense, so why is there this prevailing sense of nostalgia on every page? I couldn’t say. What I do know is that I love reading the words of this book. Listen: “On this special summer night, we climb the rickety ladder up up up to the silver tar rooftop, still soft from the day’s sun…” The whole book is like that. Trembling on the cusp of the exciting sky show that will only happen near the story’s end. Burgess’s true talent lies in the fact that he can name his book Fireworks and somehow manage to make you forget all about the premise until the moment of truth appears.

Of course, the best picture book authors leave space for their illustrators to fill in their gaps. Just as Burgess never specifies New York as the location, he doesn’t say much about the characters themselves. We know, from the text, that a grandmother is involved in some way, but that’s it. It’s Chien who brings that second level of pathos to the title. She’s the one who gives these kids a home run entirely by their grandmother and no other adult. It’s Chien who, along with the unnamed genius Art Director of the book, makes the endpapers that vibrant eye-popping fluorescent pink (echoed throughout the book in the art). The two children in the book, who traipse through New York City like it’s their own private playground, are genderless, nameless, and we’re with them every step of the way. Chien has a style that can often be described as “dreamy”, but that’s not the word I’d use to describe this book. Engrossing, maybe. Enchanting, definitely. Using (according to the publication page) “mixed media, including pastels, pencils, paint and scratch board,” it’s fascinating to watch each spread do something completely different from the one that comes before and after it. You might see the kids leaping in the spray of the fire hydrant’s water one moment, then receive a bird’s eye view of a park in the next, followed by an extreme close-up of the two kids eating watermelon in the third. You literally never know where Chien is going to go next when you turn the page, and that’s half the fun!

It all builds to the fireworks themselves, and it’s here that I learned a thing or two recently. Let’s say you’re a children’s book author or illustrator and you wanted to put a gatefold into your book. A gatefold is a spread of pages that physically open up outside of the confines of the book’s dimensions in some manner. Historically, librarians have not been huge fans of gatefolds because they have a tendency to rip over time. What makes the gatefold in “Fireworks” so extraordinary is that it’s vertical rather than horizontal. It also tucks so perfectly into the book that it might take an adult reader a couple seconds before they realize it’s even there. Only the thickness of the paper gives away its presence. Now here’s the kicker: Did you know that a gatefold can only appear in a book at just the right moment? Because of the physical nature of how books are made (the folding of the pages together) gatefolds can only come at certain moments. So part of what’s so amazing about this book is that its gatefold comes at precisely the right moment, both physically and from a literary perspective. It’s a marvel of simultaneous engineering and storytelling.

There are so many other aspects of the book that one could discuss. For example, this book straddles a line that can be incredibly difficult for a number of picture books to manage: It is both a lapsit book AND a readaloud for large groups. The fireworks themselves DEMAND to be read out loud. It’s also an ideal summertime read. I mentioned it earlier, but the book that this bears the closest resemblance to, to my mind, has to be Heatwave by Lauren Redniss. I encourage people to read both of them on the coldest of snowy days. You can practically feel the heat emanating from their pages. And can we talk about the book’s ending? Cátia Chien doesn’t just stick the landing. She leaves the readers with a final visual image that’s part Jackson Pollock, part Yayoi Kusama. For me, though, the whole book distills down to that moment when the fireworks have finished and the world is this strange smoky evening land. Or, as Matthew Burgess puts it, “in the air, the sharp charcoal sniff of a thousand matches extinguished.” When you read enough picture books you shouldn’t allow yourself to have favorites. Still, I state loud and clear for the record, that this is without a doubt my favorite firework-related summertime picture book ever. Beautiful, weirdly touching, and utterly original. “Swish Zing Tizzle-ting POOF!”

On shelves March 13th

Filed Under: Best Books, Best Books of 2025, Review 2025, Reviews Tagged With: 2025 picture books, 2025 reviews, 2026 Caldecott contender, Best Books of 2025, Cátia Chien, Clarion Books, gatefolds, Harper Collins, Matthew Burgess, picture books

Publisher Preview: Transit Editions (Winter 2025/26)

May 8, 2025 by Betsy Bird 2 Comments

Aw, Transit Editions. We’d never forget about you. Though your list each season is small (there are just three books in this preview today!) your books are mighty. Transit specializes in small books that you wouldn’t notice at all, were it not for their concentrated efforts.

Here then are the titles for the Winter 25/Spring 26 season:


Look Up by Azul López

Publication Date: September 9, 2025

ISBN: 9798893380286

Lest you fall under the misunderstanding that America is the only country with a thriving scene of trans children’s book authors, there are trans authors for kids in other places around the world as well. For example, Azul López! She transitioned after her book Giant on the Shore was released last year. If you saw that book then you may remember that it’s narrated by a child to a giant who is just offshore, seemingly afraid to get any closer. You never see the giant itself, just the footprints and holes where it has been. This book about someone just out of sight hits a little differently in light of López’s transition. She herself is Mexican and her latest book, Look Up, is translated by Shook (who is non-binary).

As it happens, I know this book… sorta. When last I was in Bologna in 2023, there was a large exhibit featuring Azul’s work and this book was highlighted. The pages were blown up to enormous proportions. The folks from Transit Editions were also there, and they told me that Azul actually read the book to them storyteller-style at Bologna that year.

As for the book itself, this is a dreamy retelling of a Mexican legend rendered in fantastic illustrations about a man who is always looking up at the sky in wonderment. He does it so much and so often that the people around him say that if you look in his eyes he’ll have scars in his pupils. His earthbound cohorts don’t understand why he’s always looking at the sky. They tell him he should be more concerned what’s happening down here on earth where they’re building scaffolds and structures. Eventually their derision eats away at him and his gaze gradually falls so far from the sky that he ends up staring at the ground. He starts walking in the woods and soon enough he comes upon this hole in the ground. Just as he’s staring down into it, he’s greeted by this thrumming and rush of colors, wind, and feathers as a huge flock of swallows lifts out of the hole and into the air. The swallows rush across the sky and then all the people who criticized this man find that their gazes are finally drawn upward too.

As Transit Editions puts it, it’s a story about the courage required to look your own way and be curious about your own things. And maybe also not to pay as much attention to people who say it’s not worthwhile.


The Very Fine Clock by Muriel Spark, ill. Edward Gorey

Publication Date: September 30, 2025

ISBN: 9798893380262

In the mood for a rediscovered classic? This book’s a true find. I certainly had never heard of it! A picture book written by none other than Muriel Spark herself? Could such a thing be? Indeed, as it turns out, Ms. Spark wrote three kids books in her day (but I was assured that this is the best one). And yes, you read correctly, it was illustrated by none other than Edward Gorey. By completely coincidence, Transit Edition is releasing this on the 100-year anniversary of Gorey’s birth. But how did they know about this book? Turns out they heard about it from an editor friend, and then while they were in Bologna for the Book Fair they came across the Italian edition. Now they’re revisiting it in its original English glory. The story is not necessarily one that would bring to mind either Spark or Gorey, though. It focuses on the friendship between a clock named Ticky and his owner. Ticky is the clock that a professor uses to set all the other clocks. Every Thursday evening the professor’s friends come over and while they have their stimulating conversations they also come to consider Ticky an admirable clock and want to call him a professor. While honored, Ticky declines, worried he’ll lose his connection to the other clocks. Turns out, this book will be launched in October at the Society of Illustrators in New York City. Why there? Because the Society will be doing an exhibit on Gorey at that time. They’ll also be doing something with Daniel Handler and Lisa Brown then in the Bay area (which is absolutely perfect). FYI!


Mousse’s Treasures by Claire Lebourg

Publication Date: February 3, 2026

ISBN: 9798893380293

You know, I’ve grown quite fond of the Mousse books these past few years. As you might recall, the first book in the Mousse series (A Day With Mousse) was declared a Best Children’s Book of the Year by The New York Times. The second book is my personal favorite, but now we’ve a third title to add to the series. In this latest installment, everyone’s favorite little misanthropic creature becomes a caretaker. One day, Mousse’s sister drops off his niece Pistachio. For her sake he goes to the boulangerie and carefully arranges his books and art supplies. It’s all for naught, though, since all his niece wants to do is to play in the water. Honestly, Pistachio wants almost nothing to do with Mousse, until the day when she finds a wet flyer for a yard sale. At first Mousse brushes it off but then his best friend Barnacle writes him and mentions the yard sale and asks him to take part. So they try to find things for the yard sale in the attic but everything there is too precious to Mousse. Barnacle, in contrast, has a lot of stuff to sell and does some gangbuster sales. Barnacle offers to buy the three objects Mousse was selling and with those things prepares a feast for Mousse and their family. This is the deepest of the Mousse books to date, thought it retains his customary dry humor and charm. Best of all, Transit editions can confirm that this series will be a quintet and not merely a quartet in the end.

Thanks to Adam, Ashley, and Jarrod for this fabulous preview. Look for these books in the future, folks! They’re coming!

Filed Under: Publisher Previews Tagged With: publisher previews, Transit Children's Editions

Unexpected Jolts of Children’s Literature

May 7, 2025 by Betsy Bird Leave a Comment

It’s back!

So the way this works is simple: In my day job I purchase materials for adults for my library system. As a result, I see a lot of titles ostensibly for adults that have distinct ties to the world of children’s literature. I collect them over time and then, in a post like this one, present them to you, the readers.

Join me now as we explore a whole new plethora of Unexpected Jolts of Children’s Literature gracing our grown-ups’ shelves:


Vanishing Treasures: A Beastiary of Extraordinary Endangered Creatures by Katherine Rundell

Last year Ms. Rundell was universally beloved. The bee’s knees. Thanks to the extraordinary success of her middle grade fantasy novel Impossible Creatures she was the veritable toast of the town. Yet there are layers to our Ms. Rundell. Apparently she has a penchant for writing adult nonfiction on the sly (did you know she wrote a biography of John Donne?!). In this book she uses literature, folklore, history, and science to write about twenty-two endangered species. A strong contender for the Alex Award, Kirkus said of this that, “Young and old will savor Rundell’s infectious enthusiasm for these remarkable and infinitely varied creatures.” I can personally attest to the popularity of this book in my library. I can’t keep this on the shelves! There are also illustrations in the book by artist Talya Baldwin.


One Week In January: New Paintings for an Old Diary by Carson Ellis

I’m not certain how I feel about reading book write-ups that call the year 2001 a “bygone era”. Here, you read the description of this book and you decide how it feels:

“In 2001, the young artist Carson Ellis moved into a warehouse in Portland, Oregon, with a group of fellow artists. For the first week she lived there, she kept a detailed diary full of dry observations, mordant wit, hijinks with friends and turn-of-the-millennium cultural touchstones. Now, Ellis has richly illustrated this two-decade-old journal in the signature style that has made her an award-winning picture book author today. This beautiful volume offers a snapshot of a bygone era; a meticulous re-creation of quotidian frustrations and small, meaningful moments; and a meditation on what it means both to start your journey as an artist and to look back at that beginning many years later.”

You see? I feel like I should be nice and dead before any of the eras I lived through as an adult get called “bygone”, but maybe that’s just me. In any case, it’s the rare Caldecott Honoree that can publish their own journal with new art, but Ellis (who created Du Iz Tak?) isn’t like other artists. PW loved this book too, saying that, “This snapshot of a struggling artist will captivate restless creatives of all stripes.”


The Magician of Tiger Castle by Louis Sachar

This one was a bit of a shocker. The first two books I included in this post today are both nonfiction titles for adults, and that feels oddly natural in a way. But Louis Sachar is writing for adults now? The man behind Holes and Sideways Stories from Wayside School?!? I could hardly believe it myself, but it’s true. Still, even when he’s writing for adults, there’s something kid-centric in his plotting. Here’s the description:

Long ago and far away (and somewhere south of France) lies the kingdom of Esquaveta. There, Princess Tullia is in nearly as much peril as her struggling kingdom. Esquaveta desperately needs to forge an alliance, and to that end, Tullia’s father has arranged a marriage between her and an odious prince. However, one month before the “wedding of the century,” Tullia falls in love with a lowly apprentice scribe.

The king turns to Anatole, his much-maligned magician. Seventeen years earlier, when Anatole first came to the castle, he was regarded as something of a prodigy. But after a long series of failures—the latest being an attempt to transform sand into gold—he has become the object of contempt and ridicule. The only one who still believes in him is the princess.

When the king orders Anatole to brew a potion that will ensure Tullia agrees to the wedding, Anatole is faced with an impossible choice. With one chance to save the marriage, the kingdom, and, of most importance to him, his reputation, will he betray the princess—or risk ruin?


Fantasy by Bruno Munari

Bruno Munari! World famous everywhere but America! If ever you go to the Bologna Book Fair, Munari’s name is whispered there like a prayer. Though most of his biographies focus on his work in Futurism, Modernism, and various fields of the visual arts, his creative picture books are (to my mind) the real lure. Munari used textured, tactile surfaces, cut-outs, semi-see through papers, and all kinds of creative techniques. The Circus in the Mist is my own personal favorite.

Here is a description of this book. 50 points to it for the use of the word “microinterventions”:

Never before translated into English, Bruno Munari’s Fantasy, originally published in Italian in 1977, invites the reader to explore their own imagination, creativity and fantasy through a journey into Munari’s mind and work. His theory of creativity, developed in conversation with the Reggio Emilia Approach (a self-guided approach to education) and the work of Jean Piaget (a Swiss developmental psychologist who proffered a theory termed “genetic epistemology”) foregrounds the book’s journey through Munari’s design processes, both working for clients and teaching design principles to children. By turning both life and work into a classroom, Munari unlocks a path through imagination in order to access his, and in turn the reader’s, deepest sense of play.

The facsimile reprint is accompanied by new contextual annotations by Munari scholar and design historian Jeffrey Schnapp. These microinterventions highlight the innovations that make this work as relevant today as when originally published.


The Quiet Ear: An Investigation of Missing Sound: A Memoir by Raymond Antrobus

Last year the son of a friend of mine, a Kindergartner, was outfitted with hearing aids. She asked me for some picture book recommendations that might normalize the aids to the kid’s classmates. I obliged and then went on to turn the list into the post Book Recommendations: Reduced Hearing Picture Book Titles (Featuring Hearing Aids). Of course Raymond Antrobus was the author I thought of first when coming up with titles. Apart from Can Bears Ski? he wrote that incredible book last year Terrible Horses, which I loved so dearly.

Now Raymond has written is own memoir. This is the description:

Raymond Antrobus was first diagnosed as deaf at the age of six. He discovered he had missing sounds—bird calls, whistles, kettles, alarms. Teachers thought he was slow and disruptive, some didn’t believe he was deaf at all.

The Quiet Ear tells the story of Antrobus’s upbringing at the intersection of race and disability. Growing up in East London to an English mother and Jamaican father, educated in both mainstream and deaf schooling systems, Antrobus explores the shame of miscommunication, the joy of finding community, and shines a light on deaf education.

Throughout, Antrobus sets his story alongside those of other D/deaf cultural figures—from painters to silent film stars, poets to performers—the inspiring models of D/deaf creativity he did not have growing up. A singular, remarkable work, The Quiet Ear is a much-needed examination of deafness in the world.


Yard Show by Janice N. Harrington

In the pantheon of my favorite picture books, one of the titles I think about again and again is The Chicken-Chasing Queen of Lamar County by Janice N. Harrington. I just loved that book. Back when I was a children’s librarian, when racist white patrons would tell me they wanted picture books that weren’t so “urban”, it was immediately the book I’d pull out and hand to them (can’t get much more “rural” than this!). I’d not tracked Harrington’s work in the poetry sphere, but clearly she’s been busy. In their starred review, PW described the book this way:

“The erudite latest from Harrington (Primitive) celebrates the yard show—a personalized, and personally significant, display of objects in one’s yard—as a microcosm for Black American expressions of place and belonging. Harrington’s poems draw on a variety of sources—from roadside signs to the words of Martin Luther King Jr.—to create a delightful poetic mélange that showcases the ingenuity of Black Americans making space for themselves.”


Making the Best of What’s Left: When We’re Too Old to Get the Chairs Reupholstered by Judith Viorst

This one’s less of a surprise. Viorst has probably been writing books for adults longer than most of us have been alive. The fact that she is still doing even today it is a testament to sheer will. You’ll know Viorst, of course, from books like Alexander and the Terrible, Horrible, No Good, Very Bad Day n’ such, but at 94 she’s been writing these kinds of adult books for decades upon decades. Here’s the plot description:

“In a career that has spanned more than fifty years, Judith Viorst has captivated readers with her bestselling children’s books and collections of poetry reflecting on each decade of life. Now in her nineties, Viorst writes about life’s “Final Fifth,” those who are eighty to one hundred years old. Her signature blend of humor and vulnerability infuses personal anecdotes and observations, drawing you into her world of memories and candid conversations.

She confesses, “I never ever send a text while driving, and not just because I don’t know how to text.” She discusses the afterlife (She doesn’t believe in it, but if it exists, she hopes her sister-in-law isn’t there). She complains to her dead husband (“I need you fixing our damn circuit breakers. I need you! Could you please stop being dead?”). And she explores the late-life meanings of wisdom and happiness and second chances and home.

With a wit that defies age, Viorst navigates the terrain of loss. It’s a poignant dance between grief and levity that will resonate with those in their Final Fifth as well as anyone who has parents, relatives, or friends in their eighties and beyond. This is Judith Viorst at her best.”


Three Wild Dogs (and the Truth): A Memoir by Markus Zusak

Yup. The author of The Book Thief wrote himself a memoir replete with dogs.

Normally my patrons aren’t all that keen on dog memoirs, but I’ve noticed that they’ve been picking up Zusak’s latest. This would be his first nonfiction title for adults, and it’s been getting stellar reviews. The plot description is:

“What happens when the Zusak family opens their home to three big, wild, street-hardened dogs—Reuben, more wolf than hound; Archer, blond, beautiful, destructive; and the rancorously smiling Frosty, who walks like a rolling thunderstorm?

The answer can only be chaos: There are street fights, park fights, public shamings, property damages, injuries, hospital visits, wellness checks, pure comedy, shocking tragedy, and carnage that must be read to be believed.”


The Story She Left Behind by Patti Callahan Henry

I’m ending with this one because it amuses me so much that a work of fiction can be about a fictional Caldecott Award winner. All the advertising says it’s based on “a true literary mystery”. If anyone wants to find me a copy of the book to tell me what that mystery is, I’d be grateful.

Here’s the plot:

“In 1927, eight-year-old Clara Harrington’s magical childhood shatters when her mother, renowned author, Bronwyn Newcastle Fordham, disappears off the coast of South Carolina. Bronwyn stunned the world with a book written in an invented language that became a national sensation when she was just twelve years old. Her departure leaves behind not only a devoted husband and heartbroken daughter, but also the hope of ever translating the sequel to her landmark work. As the headlines focus on the missing author, Clara yearns for something far deeper and more insatiable: her beautiful mother.

By 1952, Clara is an illustrator raising her own daughter, Wynnie. When a stranger named Charlie Jameson contacts her from London claiming to have discovered a handwritten dictionary of her mother’s lost language. Clara is skeptical. Compelled by the tragedy of her mother’s vanishing, she crosses the Atlantic with Wynnie only to arrive during one of London’s most deadly natural disasters—the Great Smog. With asthmatic Wynnie in peril, they escape the city with Charlie and find refuge in the Jameson’s family retreat nestled in the Lake District. It is there that Clara must find the courage to uncover the truth about her mother and the story she left behind.”

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Filed Under: Unexpected Jolts of Children's Literature Tagged With: Bruno Munari, Carson Ellis, Janice N. Harrington, Judith Viorst, Katherine Rundell, Louis Sachar, Markus Zusak, Raymond Antrobus, unexpected jolts of children's literature

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