Review of the Day: At Home in Her Tomb by Christine Liu-Perkins
At Home in Her Tomb: Lady Dai and the Ancient Chinese Treasures of Mawangdui
By Christine Liu-Perkins
On shelves now
When I say the word “mummy” what springs into your mind? Movies starring Brendan Fraser? Egypt and scarabs and rolls of crumbling papyrus? Absolutely. But what if I told you that recently the best-preserved mummy in the world was found? And what if I told you that not only was she a woman, not only was she surrounded by treasure, but she was also Chinese. Now I’ve known about mummies in South America and frozen on mountains. I know about bog bodies and bodies that were dried out naturally in deserts. But I had no idea that there even was such a thing as a Chinese mummy. In At Home in Her Tomb author Christine Liu-Perkins breaks everything down for you, bringing us a story that’s part forensics, part history, part family story, and all interesting.
Same old story. One minute you’re happily munching muskmelons. The next you’re dead and your corpse has been interred with miniature servants, silk paintings, scrolls, and countless other treasures. And the story might stop right there, except that in two thousand or so years nothing changes. Your body does not rot. Your treasures stay complete and unchanging. So when archaeologists excavated the tomb of Lady Dai, they can be forgiven for being completely astonished by what they found. In At Home in Her Tomb author Christine Liu-Perkins takes you not just into the mystery surrounding Lady Dai’s astonishingly well-preserved body, but also into ancient China itself. A more complete and exciting (and I use that word sparingly) glimpse into Qin and early Han Dynasties for children would be difficult to find.
Why do we love mummies as much as we do? I think it might be a mix of different reasons. Maybe we’re so attached to our own bodies that we find a weird bit of hope in the fact that they might last beyond the usual prescribed amount of time allotted to an average dead carcass. My husband, I should note, hasn’t been completely thrilled with the fact that I leave this book lying about as much as I do. As he rightly points out, what we have here is a bloated corpse book. He’s not wrong and it’s not a particularly attractive dead body either. So why the fascination? Why should I care that her joints were still movable when they found her, or that her fingerprints and toe prints were clear? I can’t rightly say, but it’s a curiosity that kids share with adults. We want to know what happens beyond death. The next best thing, it seems, is to find out what happens to our bodies instead.
There was a time when the television show C.S.I. inspired whole waves of kids to dream of jobs in forensics. Naturally the real world applications are a lot less fast-paced and exciting than those on television. At least that’s what I thought before hearing about forensic anthropology. Author Liu-Perkins brings it to vivid, fascinating life. It’s not all that’s alluring about this title though since the layout of the book is rather clever as well. Rather than just stick with a single narrative of the discovery of the body and tomb, the author punctuates the text with little interstitial moments that talk about what everyday life for Lady Dai might have been like. Liu-Perkins allows herself a bit of creative freedom with these sections. Obviously we have no idea if Lady Dai “sigh[ed] in weariness” while tending her silkworms. To eschew accusations of mixing fact and fiction without so much as a by your leave, Liu-Perkins begins the book with an Introduction that sets the stage for the interstitial Lady Dai moments. She writes how the artifacts from the tomb caused her to imagine Lady Dai’s life. From there it seems as though the historical fiction sections are directly tied into this statement, clearly delineated in the text from the longer factual sections. Authors these days struggle with making the past live and breathe for their child readers without having to rely on gross speculation. This technique proves to be one answer to the conundrum.
Admit it. A lot of booksellers and librarians are going to be able to hand sell this book to their customers and patrons by playing up the gross factor. Just show that shot on page 24 of the corpse of Lady Dai and a certain stripe of young reader is going to be instantaneously enthralled. Maybe they’ll take it home for closer examination. Maybe their eyes will then skim over to the text where phrases like “her eyeballs had begun falling out” lead to the factors that explain why the decay in the body stopped. They may then flip to the beginning and start reading front to finish, or they might skim from page to page. Honestly, there’s no wrong way to read a book of this sort. When you’re dealing with a title about the “best preserved body in the world” you’re already in pretty awesome territory. Credit then to Christine Liu-Perkins who gives the subject matter her full attention and presents it in such a way where many children will willingly learn about Chinese history in the process. A beautiful book. A heckuva mummy.
On shelves now.
Source: Final copy checked out from library for review.
Like This? Then Try:
- Written in Bone by Sally M. Walker
- Secrets of the Terra Cotta Soldier by Yin Chang Compestine and Vinson Compestine
- The Many Faces of George Washington by Carla Killough McClafferty
Filed under: Best Books, Best Books of 2014, Reviews, Reviews 2014
About Betsy Bird
Betsy Bird is currently the Collection Development Manager of the Evanston Public Library system and a former Materials Specialist for New York Public Library. She has served on Newbery, written for Horn Book, and has done other lovely little things that she'd love to tell you about but that she's sure you'd find more interesting to hear of in person. Her opinions are her own and do not reflect those of EPL, SLJ, or any of the other acronyms you might be able to name. Follow her on Twitter: @fuseeight.
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