Top 100 Picture Books Poll Results (#5)

Willems wasn’t the first picture book author to break down the “fourth wall” and have his characters speak directly to the reader, he’s just proven to be the best at it. When Pigeon debuted in 2003 it became an immediate read aloud smash and reminded everyone that yes, books are entertainment and that’s a good thing. – Travis Jonker

One testament to the greatness of this book is the fact that some kids find it distressing. The emotional pressure is too intense — they’d rather just let the pigeon drive the bus already, if it matters to him so much. – Anna Hebner

In the midst of calculating the results of this poll as they rolled in I found myself embroiled in strange unruly fight in which I was the sole spectator.  Case in point, the battle between Pigeon and Knuffle Bunny.  For the first half of the month of March, it seemed like nobody loved the old Pigeon.  He’d get a small vote here.  A conciliatory nod there.  But Knuffle Bunny was riding high on the public’s love and affection.  Then Pigeon started catching up.  Slowly at first.  Then faster.  The remainder of the month was a mad hair-pulling, teeth gnashing, one-on-one competition between two Mo Willems projects.  Until that last day when I started compiling the last 20-30 votes,  I still had no idea who was going to reign victorious.  A Knuffle over Pigeon win would be quite the upset, no?  Well, here we are.  I’m still convinced that in the long run, Knuffle may turn out to be the surprise classic.  But I’ll have to wait another 20+ years before conducting another picture book poll to prove my findings (think you that I am kidding?).

Here is what we know about the creation of this book (yet again that sneaky 21st century publication date is wreaking havoc with my reference tools).  I’m drawing on my memory files here, so someone correct me if I get any of this wrong.  When our story begins Mo Willems is an animator, a cartoonist, and the kind of fellow who can do a gig on Sesame Street in his spare time.  Every year he creates these little sketchbooks for his friends and acquaintances.  He’s been doing them since 1993.  Anywho, he creates one of them and it’s just this funny little black and red ditty called Don’t Let the Pigeon Drive the Bus.  It’s pretty much what you see in its final finished form today, actually.  Well, his literary agent (Marcia Wernick) tries to sell this puppy all over town.  Bupkiss.  Publishers aren’t interested.  It’s way too weird.  Too wild.  Too unlike what’s selling today (though I’m sure someone could have remembered that The Monster at the End of this Book has a similar layout and a heaping helping of moolah as a result).  The happy ending?  Book sells.  Mo’s suddenly a picture book author/illustrator.  Batta bing, batta boom, instant success.  The masses cheer.  The children get to scream "No" even more often on a daily basis.

Six years later the Hyperion website announces that, "DON’T LET THE PIGEON DRIVE THE BUS! Has been named a finalist for the Picture Book Hall of Fame for the 2009 Indies Choice Book Awards."  Picture Book Hall of Fame, eh?  Well guess what?  It got in.  It got in alongside a duck related winner and some book with a big hairy horned thing on the cover.  The best news is that all the finalists are on this Top 100 Picture Book Poll Results list.  My readers are so clever (and so charming and good looking too).

Mind you, you could probably find this all out by going to The Pigeon Presents, a unique user-friendly site that includes all things Mo (but not, unfortunately, mo’ things awl).  You may also just do what I did and skip to the grownup stuff section where the videos will say everything I just did but with zing and pizzazz.

The Pigeon has, of course, been adapted to the stage (with a sequel).  You may also see it as a Halloween costume (countdown to future Sexy Halloween Pigeon Costumes in three . . . two . . . one . . .)

And finally, apropos of nothing, I adore the fact that the Barnes and Noble entry for this book inexplicably has decided to write the Mo Willems biography in Spanish.  We would have also have accepted pig latin.

School Library Journal said of it, "In a plain palette, with childishly elemental line drawings, Willems has captured the essence of unreasonableness in the very young. The genius of this book is that the very young will actually recognize themselves in it."

Booklist, starred review in tow, said, "Willems is a professional animator, and each page has the feel of a perfectly frozen frame of cartoon footage–action, remarkable expression, and wild humor captured with just a few lines. Preschoolers will howl over the pigeon’s dramatics, even as they recognize that he wheedles, blows up, and yearns to be powerful just like they do."

Publishers Weekly said, "Readers will likely find satisfaction in this whimsical show of emotions and, perhaps, a bit of self-recognition."

Kirkus and its starred review said, "A first picture book by an Emmy Award–winning writer and animator, listeners will be begging, pleading, lying, and bribing to hear it again and again."