Fusenews: This American Library
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There’s a bit of a debate out there as to whether or not public libraries should be modeling themselves on bookstores. Generally I feel that it’s a bit of give and take. I’m not a big fan of putting people behind our reference desks without degrees, but bookstores have neat ideas that libraries can easily replicate. For example, check out my fellow NYPL librarian Kiera and her Staff Picks Book Display area. I’m just going to yoink some of her images here (see her blog for many more), because I think she’s doing something particularly nice with these recommendations. For one thing, she has lovely handwriting. And really, there’s something about a handwritten note in a book that feels special. It’s so easy for us to just type stuff out. Think how much more personal it is to see the curve of another person’s Q or the way they cross their Ts. Just lovely. I may have to steal this idea.
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It’s a postmodern world. We’re just living in it. From Cynopsis Kids :
"Japanese publisher Shinchosha says that an animated version of author Budge Wilson’s book Before Green Gables has gotten the go ahead, according to Anime News Network . Before Green Gables (known in Japan as Konnichiwa Anne) is a prequel to the author Lucy Maud Montgomery’s books about Anne Shirley, the first of which is Anne of Green Gables that celebrates its 100th anniversary this year."
Too soon?
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Galleycat had an interesting round up of links concerning authors and their publicists. Not specifically childlit-centric, but well worth reading just the same.
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Blogging on SLJ is different from other kinds of blogging I’ve done in the past, partly because I now have people out there who solve my glitches for me and aren’t obligated to do so by marriage. Take Dan Blank as an example. Dan’s my I.T. feller. If it’s goofy or I need to figure out why my Flip camera is convinced that it’s full when IT IS NOT (solution to problem pending), he helps me out of a jam. Dan also happens to have a blog of his own called Dan Blank: Publishing, Innovation & the Web. Recently he had a post up called How Clutter Prevents Greatness . It’s an interesting piece on blogging and how a blog’s "clutter" keeps people from reading it. He mentions that there are two ways to grab the potential reader’s attention: " Help solve a problem that keeps them up at night" and " Tap into their passion for your industry ". I’m fairly certain that I’ve never done the former. The latter sounds far more up my alley.
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The independent bookstores of New York City have come together in brotherhood and the greater good. So sayeth Galleycat , though I took a long hard look at the picture of the representatives and was unable to determine whether or not any of them were from the two sole independent children’s bookstores here in town Books of Wonder or Bank Street Bookstore. I wouldn’t mind hearing what their current status is. In a neat little tie-in, there was also an article on one of The Guardian’s blogs called How an Independent Bookshop Can Survive. It doesn’t mention coming together as a group. Perhaps it should. Thanks to Bookninja (who says that the real answer is "cake") for the link.
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Enjoyed the movie Wall-E? Well, here’s your daily children’s literary connection, then. Sharp-eyed spotter Sharon Levin saw Shaun Tan’s name in the credits and posed a query on the child_lit listserv about his involvement. Turns out, he does do some background work for Pixar on occasion. They’re clever devils for hiring him, no?
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Someday I will die and my bones will turn to dust. The seasons will pass, the world will turn, and as far as I can determine Peter will STILL be writing kick ass columns (I won’t say posts because these are bloody columns, people… they practically have footnotes) on Collecting Children’s Books. Recently I was beyond pleased when he mentioned, amongst other things, how cool The Spell Book of Listen Taylor was under its jacket. Faux staples? Scholastic, you sly dogs, how on earth did you get that approved? Somebody gets an A+ for extra effort (would that be you, Cheryl?).
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Man walks into a publishing house. Sits down, draws up a chair and says, "I got three little words for you. Treasure. Island. Prequel." Okay, fine. Maybe that’s not how it happened. But you can’t argue with the results. Thanks to Jen Robinson’s Book Page and Confessions of an Idiosyncratic Mind for the link.
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What the heck happened to that Inkheart movie that was supposed to come out? I mean, Kids Lit has a great summary of the upcoming children’s films slated for this year (librarians may wish to take note of the holds to come!) but Ms. Funke? Nowhere in sight. A glance at the IMDB page says that it’s coming out in January. We shall see . . . .
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This year for the Newbery/Caldecott Banquet I made a tattoo of the book winners and placed it on my upper left forearm (more on the pain involved in its removal later). I’ve been trying to figure out how to celebrate next year’s winners in the meantime. Here’s one possibility. How cool would it be to eat your favorite winner? Or, better yet, the faces of the winners? Yum yum yum.
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FYI, were you fellow bloggers out there aware that the CCBC-net listserv discussion this month is about bloggers and who reads whom? I’ve been seeing some very nice mentions of quite a lot of y’all (7-Imp is getting some heavy duty lovin’). Some of you may wish to eavesdrop in on the conversation, if you’ve a hankering. It gives an excellent sense of what people look for in their day-to-day blog reading.
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Daily Image:
Because I know we’re all NPR nerds anyway. Thanks to BB-Blog for the link. The full picture is available on Flickr.
Filed under: Fusenews
About Betsy Bird
Betsy Bird is currently the Collection Development Manager of the Evanston Public Library system and a former Materials Specialist for New York Public Library. She has served on Newbery, written for Horn Book, and has done other lovely little things that she'd love to tell you about but that she's sure you'd find more interesting to hear of in person. Her opinions are her own and do not reflect those of EPL, SLJ, or any of the other acronyms you might be able to name. Follow her on Twitter: @fuseeight.
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Monica Edinger says
Re Bank Street Book Store, I think that is Beth Puffer in the first row, fifth from the right. I didn’t notice Peter Glassman, of Books of Wonder, but he may well be.
Fuse #8 says
Is that her? Oh good. The hair didn’t look right to me at first but you’re probably correct. And Glassman could have sent a representative in his wake.
mhg says
Yup, that’s Beth! Sorry to off topic this, did you know that children’s author Sue Alexander passed away on July 3, 2008?
RIP Sue, she was always sweet to me.
SamR says
Odd that the Treasure Island prequel is written by someone who is anti-treasure on islands. Perhaps he should pick a book that does not dwell exclusively on that subject.
Cheryl says
The coolest thing about the SPELL BOOK case cover is that it’s supposed to be the cover of the titular Spell Book, which is described as “lime green with huge white letters on the cover: SPELL BOOK. It looked like one of those early school workbooks in which you have to do things like draw diagonal lines between COLD and HOT.” And the story reveals how the book was made, including the list of promises written on the back cover. (The staples are, alas, merely pictures of staples, not actual physical staples.) All credit goes to our brilliant designer Elizabeth B. Parisi for this one.
Brian Floca says
Resisting the urge to go on at length here about how truly great Treasure Island is, I’ll instead ask, is no backstory, loose end, or minor character safe from the scent of a publishing deal anymore? The unstated things in Treasure Island are not trick questions to be answered or potholes to be filled. They’re part of the texture of the book and part of the fun, and nothing this guy can write about Flint (the captain, not the parrot) will make him more fearful than reading about his old crew’s terror at his name and wondering for oneself what he was like. In sum: Treasure Island: Episode I? Aaargh!
Fuse #8 says
True. How long before “The Wonderful Wizard of Oz: Prequel” where we get to see the humbug wizard pull his schtick at country fairs. Or, better yet, it’s all toddler Dorothy just walking around her Kansas farm sighing. “Alice in Wonderland: The Prequel” which features the adventures of her older sister when she was Alice’s age. Basically all she does is read. Somebody already made a Wind in the Willows picture book with all the characters as babies (heavens above). And when it comes to Peter Pan, you just can’t outprequel Barrie. He had that one well in hand from the start. Ah public domain. What hath you wrought?
Fuse #8 says
Regarding Sue Alexander, I did hear that she had passed away recently, yes. I wasn’t familiar with her personally but many people have offered their thoughts and memories of her. Clearly she will be missed.
Kathleen Krull says
Please please post a picture of your tattoo…It was the coolest thing at ALA.
Fuse #8 says
Your wish is my command. Tomorrow then. I just had to get permission from the photographer.
Brian Floca says
A top-notch list of wince-inducing prequel ideas, some of which we’ll no doubt live to see in print. Interesting that you bring up Barrie, too, as there’s an odd fact here that completes the circle: when I got around to reading Peter Pan a couple of years ago, I was surprised to see that in the story, Captain Hook and his band all know Long John Silver. Silver recurs in their conversation, by name and nickname (Barbecue). Maybe the Treasure Island prequel will have Peter chop off Silver’s leg (he’d do it) and tie it all together for us.
Kiera says
I think this may be the only time anyone has referred to my handwriting as lovely. Mama would be so proud. 🙂
critico d'arte siciliano says
ospiti » Porcasi Gaetano
artist
Gaetano Porcasi is a Sicilian artist and school art teacher. His paintings are considered unique not only for their social and political commitment but also for the technique and choice of typical Mediterranean colours from which a strong and deep Sicilitudine (Sicilian mood) emerges. The 2003 itinerant exhibition Portella della Ginestra Massacre is a good example: in 1947 a group of Sicilian farmers was shot and killed in Portella by the outlaw Salvatore Giuliano and his men under orders from the local Mafia mobsters and big landowners in order to stop the farmers’ attempts to occupy and plant uncultivated local land. His historical paintings which denounce the violence and oppression of the Mafia find their counterpart in his paintings which depict sunny Sicilian landscapes rich in lemon, orange and olive trees, in prickly pear, agave and broom plants. They show the wealth of a land that has been kissed by God but downtrodden by man. In painting the sky of his native Sicily Gaetano uses several different hues of blue and it’s from this sky that his pictorial journey starts. In his paintings the history of Sicily, which has always been marked by its farmers’ sweat and blood and by their struggles for freedom and democracy, finds its pictorial expression in the fusion of the red flags of the workers with the Italian flag in a sort of Italian and Mediterranean epopea. The red flags and the Italian flag stand out against the blue sky that changes its hues according to the events, the seasons, the deeds and the moods that are painted on the canvas. The luxuriant nature of Sicily with its beautiful, sunny, Mediterranean landscapes seems to remain the silent, unchangeable and unchanged witness to events and the passing of time. Here people are only accidenti, they aren’t makers of their own life. Thus Gaetano makes a clear-cut metaphysical distinction between a benign, merciful nature and Man who breaks the natural harmony to satisfy his wild, unbridled ambition and selfishness and who becomes the perpetrator of violence and crime. Gaetano is also an active environmentalist and his fight against all forms of pollution has already cost him a lot of aggravation.