SBBT Interview: Sean Qualls

Fuse #8: So you’re undoubtedly one of the finest artists living today and you do this great mix of fiction and picture book.  In a case like The Poet Slave of Cuba (written by Margarita Engle) how did you come across the project?  Did you come up with the number of illustrations in the book?  And how was it to illustrate a book that graphic and violent?

Sean Qualls: POET SLAVE OF CUBA was my third book offer. At the time, I was working on two other projects (THE BABY ON THE WAY and POWERFUL WORDS) but didn’t have any published books – just published work for magazines. I received a call from Reka Simenson at Henry Holt asking if I would be interested in illustrating POET SLAVE and I almost said no because I had a part-time job in addition to my illustration work. Reka had seen my work in a sourcebook which is a kind of like a yellow pages of illustrators. She convinced me to read the manuscript before making a decision. Once I read the first page I was sold. I really connected with Juan Manzano’s story and his desire to be an artist.

Fuse #8: All right.  Here’s the question everyone hates to receive.  What are you working on right now?

Sean Qualls: Currently, I’m illustrating a story of a young Ella Fitzgerald for Candlewick written by Roxane Orgill. Also, I’ve just begun working on sketches for 2 other books but I prefer not to mention them until they are farther along.

Fuse #8: Follow-up question that everyone hates to receive: What would you LIKE to be working on at some point?

Sean Qualls: At some point, I would like to be doing more of my own work whether it is writing and illustrating for children/teens, or adults and also doing painting for myself.

Fuse #8: Would you ever concern crossing over to the realm of graphic novels?  Or, if not, is there another kind of literature you’ve been thinking about playing with?

Sean Qualls: A few years back when I was trying to break into the illustration I wanted to do graphic novels. Dave Mckean and Bill Sienkiewicz were big influences for me at the time. I thought doing illustrations for magazines and illustrating other people’s text for picture books would be my day job and I would do my own graphic novels on the side – little did I know. I’m still really interested in doing graphic novels; however, my picture book work keeps me really busy and I’m also concerned that my story ideas may be too obscure and will not find an audience.  

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